1920s Indochina. In the wild, a pair of adult tigers have just had a litter of two male cubs. It is a loving family unit, with the two brothers having a bond through their adventurous spirit. In different incidents, the cubs are captured individually, and although both in captivity live very different lives. Their individual captures were directly or indirectly associated with the work of Aidan McRory, a treasure and big game hunter, whose main goal is to make as much money for himself by selling his largely illegally obtained artifacts and animal parts at auction in Europe. Through the process, he has an emotional connection with one of the cubs, who is eventually named Kumal, but of who he eventually loses track. The cubs' lives are affected negatively by a number of other people who are working solely toward their own end goals, but the other cub, who is eventually named Sangha, also makes an emotional human connection to a young boy named Raoul Normandin, the son of the area ... Written by
The opening shot of the movie has a Toco Toucan in it and the movie is set in Cambodia. The Toco Toucan is native to South America. See more »
Where did you learn your English?
His Excellency asked the Australian priests to open a school here to teach us languages.
Well, I'm very impressed. What else did they teach you?
To beware of white men.
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Am rarely moved to comment on what others say here, but Sarah from Canada's mindless and cynical response to TWO BROTHERS can't go unchallenged. Though far from perfect, I found this movie to be exceptionally entertaining on all accounts. Sarah claims there's no story, no characters, no moral ... on and on. Well, what she says is a complete crock: there is a story: it's about the two tiger brothers who are taken from their jungle home. The two main characters are not human, and I guess the fact that they don't have dialogue presented quite an obstacle for Sarah because she doesn't seem to have followed their story and its moral/ethical significance. Since the movie plays out like a fairy tale, realism here is not the point, hence the broad human characterizations. Rather, the most successful parts of the film allows us to view the world from the animals' eyes, and in doing so we experience their feelings, memories, and needs. I found this to be entertaining and at times quite moving. The film makers ennoble these tiger characters with such power and respect, I find it utterly mystifying that anyone could miss this as being the major point of the film. Please do not let negative comments like the ones from Sarah keep you from watching this terrific movie.
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