Fear, anger, sadness, joy, disgust, jealousy, shame. Adas Miauczynski returns to his childhood, when - like most of us - he had a big problem with naming the accompanying emotions. To ... See full summary »
Inspired by true events from the 1970s, the story revolves around a young detective who becomes the head of a police unit focused on catching a rampant serial killer of women, nicknamed 'The Silesian Vampire'.
Despite being in love with a Ukrainian boy from the same village, Polish girl named Zosia is forced into marrying a wealthy widower. Soon World War II begins and ethnic tensions arise. Amidst the war chaos Zosia tries to survive.
Based on a true story, KALINKA is about the struggle of Andre Bamberski to bring justice to his daughter Kalinka who died in disturbing circumstances. After 27 years of investigation to ... See full summary »
Since the arrival of the new teacher, Maria Drazdechova, to a Bratislava suburban school in the year of 1983, life has turned upside down for students and parents. The teacher's corrupted ... See full summary »
During the screening of the film "Daybreak" at the Liberty Cinema, movie characters suddenly come alive and begin to talk to the viewers. The situation surprises communist authorities who send a censor to the theatre.
Stanislaw Tym revives his career-making role as government agent Ryszard Ochodzki in this follow-up to The Bear that tracks Ryszard on a brand-new assignment. Col. Molibden has asked him to... See full summary »
Stories of hope, betrayal and disillusion are very common in film but this has the unusual setting of Poland during the 1960s. All the deadening uniformity of the times comes out on the screen as does, what appears to this era, the shoddiness of a planned economy dominated from outside. The story of a doctor condemned to the fringes of his profession by his refusal to embrace the Party orthodoxy is well told and there is a surprising twist to the end of the plot.
Although both main characters suffer from the excesses of petty bullying by officialdom, it is not portrayed in a didactic sense and those who go along with the system are treated with enough ambiguity to show that everyone had his own way of dealing with life back then.
The film is dominated throughout by the superb performance of Janusz Gajos as Dr. Hoffmann. Pushed to the edges of tolerance by an unseen enemy that never forgets, he manages to keep the flame of hope alive despite his almost total withdrawal from life outside his job. Grosz's brooding presence fills every scene and provides a focus of decency when all around appear to have lost theirs.
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