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Shopgirl (2005)

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A film adaptation of Steve Martin's novel about a complex love triangle between a bored salesgirl, a wealthy businessman and an aimless young man.

Director:

Anand Tucker

Writers:

Steve Martin (novel), Steve Martin (screenplay)
1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Steve Martin ... Ray Porter
Claire Danes ... Mirabelle
Jason Schwartzman ... Jeremy
Bridgette Wilson-Sampras ... Lisa Cramer
Sam Bottoms ... Dan Buttersfield
Frances Conroy ... Catherine Buttersfield
Rebecca Pidgeon ... Christie Richards
Samantha Shelton ... Loki
Gina Doctor Gina Doctor ... Del Rey
Clyde Kusatsu ... Mr. Agasa
Romy Rosemont ... Loan Officer
Joshua Snyder ... Trey Bryan
Rachel Nichols ... Trey's Girlfriend
Shane Edelman ... Chet
Emily Kuroda ... Japanese Woman
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Storyline

Twenty-something native Vermonter Mirabelle Buttersfield, having recently graduated from college, is finding her new life in Los Angeles not quite what she was expecting or hoping. An aspiring artist, she is barely eking out a living working as a clerk at the women's evening gloves counter at Saks Fifth Avenue in Beverly Hills and thus she can barely make the payments on her massive student loans. She treats her job with a certain distance, often daydreaming as she watches the life of the rich as they shop at the store. She has made no friends, including from among her Saks colleagues, and thus lives a solitary existence, which does not assist in her dealing with her chronic clinical depression. So it is with some surprise that two men with a romantic interest in her enter her life almost simultaneously. The first is poor slacker Jeremy, who works as an amplifier salesman/font designer. Mirabelle continues dating Jeremy as only a relief to her solitary life, as Jeremy doesn't seem to ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Relationships don't always fit like a glove.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some sexual content and brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Japanese

Release Date:

4 November 2005 (USA) See more »

Also Known As:

Az eladólány See more »

Filming Locations:

California, USA See more »

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Box Office

Opening Weekend USA:

$229,685, 23 October 2005, Limited Release

Gross USA:

$10,281,585, 19 March 2006
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The exterior shooting location of Ray's house was at the corner of Hercules and Apollo Drives in the Hollywood Hills of Los Angeles. See more »

Goofs

After Jeremy and Mirabelle sleep together, they are talking in bed under a sheet. Jeremy has his arms completely above the sheet. The camera angle changes and now the sheet covers his entire body up to his neck. See more »

Quotes

Lisa Cramer: You want some advice? You never call him. But if he calls you you talk to him, then act like you have another call, keep him on hold for a long time. Like longer than you think is passable. And break dates. Always break dates. Right around the holidays cus then he's just stuck. And fellatio, the sooner the better. And allot. Act like you love it. After he's aditcted, cut him off. That's when you got him.
Mirabelle: Ya, I couldn't do all that.
Lisa Cramer: How come?
Mirabelle: I'm from Vermont.
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Connections

Featured in Cinemania: Ypalliloi en drasei! (2009) See more »

Soundtracks

The Sound Of Settling
Written by Benjamin Gibbard
Performed by Death Cab for Cutie
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User Reviews

 
Only Connect
31 October 2005 | by JackCerfSee all my reviews

Edward Hopper was the great painter of urban loneliness. Shopgirl had two perfectly composed and lit shots that could pass for Hopper paintings -- the one where we first see Mirabelle behind the glove counter at Saks, and the one where she solves the problem of how exactly to cross the intimacy threshold with Ray for the first time. Both involve the display of exquisite merchandise to customers who have excellent taste but don't quite appreciate the full value of what's being offered.

The relationship between Ray and Mirabelle is, of course, a transaction. Ray is what used to be called a sugar daddy. He knows it, and within the limits of that role he is apparently a generous and considerate keeper. We aren't given Ray's back story, but it is not hard to guess that a symbolic logician who made a fortune in computers might have been socially challenged, to put it mildly, as a young man, and suffered a good deal of rejection from women. He can now buy what he couldn't then woo, but experience has taught him never to relinquish control and never to let himself be vulnerable. A few hundred million dollars have cleaned up his exterior nicely and given him power over his surroundings, but the inner nerd is still there.

Mirabelle certainly appreciates the value of what Ray can do for her. Consider the shot in Vermont where she gazes at her dried out, prematurely worn mother and decides she'll meet Ray in New York after all. But Mirabelle refuses to admit to herself that she is only being kept. We are meant to think the better of her for her self deception. The sluttish, annoying and frankly mercenary but cheerfully self aware Lisa is there to draw an unfavorable contrast with Mirabelle. Paradoxically, it is Mirabelle's self-deceived integrity, and her refusal to use the crude manipulations Lisa suggests, that make her a more exquisite ornament for Ray -- gourmet arm candy for a man with the finest taste. Both women are punished for self deception, but Lisa suffers only comic humiliation while Mirabelle sets herself up for real pain.

Jeremy has the makings of a Ray in him, but we are meant to believe that he has -- implausibly -- attained emotional enlightenment, if not the capacity for articulate speech or sustained rational thought. He has earned Mirabelle, we are told, because he has remade himself to be worthy of her. Love may not conquer all in this bittersweet anti-romance, but it still does better than break even.


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