6.4/10
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276 user 124 critic

Shopgirl (2005)

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A film adaptation of Steve Martin's novel about a complex love triangle between a bored salesgirl, a wealthy businessman and an aimless young man.

Director:

Anand Tucker

Writers:

Steve Martin (novel), Steve Martin (screenplay)
1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Steve Martin ... Ray Porter
Claire Danes ... Mirabelle
Jason Schwartzman ... Jeremy
Bridgette Wilson-Sampras ... Lisa Cramer
Sam Bottoms ... Dan Buttersfield
Frances Conroy ... Catherine Buttersfield
Rebecca Pidgeon ... Christie Richards
Samantha Shelton ... Loki
Gina Doctor Gina Doctor ... Del Rey
Clyde Kusatsu ... Mr. Agasa
Romy Rosemont ... Loan Officer
Joshua Snyder ... Trey Bryan
Rachel Nichols ... Trey's Girlfriend
Shane Edelman ... Chet
Emily Kuroda ... Japanese Woman
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Storyline

Twenty-something native Vermonter Mirabelle Buttersfield, having recently graduated from college, is finding her new life in Los Angeles not quite what she was expecting or hoping. An aspiring artist, she is barely eking out a living working as a clerk at the women's evening gloves counter at Saks Fifth Avenue in Beverly Hills and thus she can barely make the payments on her massive student loans. She treats her job with a certain distance, often daydreaming as she watches the life of the rich as they shop at the store. She has made no friends, including from among her Saks colleagues, and thus lives a solitary existence, which does not assist in her dealing with her chronic clinical depression. So it is with some surprise that two men with a romantic interest in her enter her life almost simultaneously. The first is poor slacker Jeremy, who works as an amplifier salesman/font designer. Mirabelle continues dating Jeremy as only a relief to her solitary life, as Jeremy doesn't seem to ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Relationships don't always fit like a glove.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some sexual content and brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Japanese

Release Date:

4 November 2005 (USA) See more »

Also Known As:

Az eladólány See more »

Filming Locations:

California, USA See more »

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Box Office

Opening Weekend USA:

$229,685, 23 October 2005, Limited Release

Gross USA:

$10,281,585, 19 March 2006
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

For the scene in Mirabelle's bedroom where the cat jumps on the bed and watches her and Jeremy, there were actually two cats used. The director explains in his commentary that one could jump but never watched, and the other was good at watching but couldn't jump. See more »

Goofs

Early in the film, the camera pans up and we see Mirabelle through her bedroom skylight window. The bedroom is clearly positioned about ten feet or so from the left wall of the apartment, suggesting another room between it and the left wall. Yet in a later shot from the ceiling, when Mirabelle lies in bed with depression, the left wall is right up against the bed and there's a window there looking outside. See more »

Quotes

Voice-over: Some nights alone he thinks of her, and some nights alone she thinks of him. Some nights these thoughts occur at the same moment and Ray and Mirabelle are connected without ever knowing it.
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Connections

References Saved by the Bell (1989) See more »

Soundtracks

Gimme Little Sign
(1967)
Written by Joseph Hooven, Brenton Wood (as Alfred Smith) and Jerry Winn
Performed by Brenton Wood
Published by Bonnyview Music Corp. (ASCAP)
Courtesy of Original Sound Record Co., Inc.
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User Reviews

 
A Well-Meaning But Too Downbeat Rom Com
10 September 2005 | by rslsspSee all my reviews

After some of the lesser films Steve Martin has been in lately, namely Cheaper by the Dozen, Bringing Down the House, and the like, it's a welcome sight to see him doing serious work. Shopgirl, adapted by Martin from his novella, is arguably his most serious work, and easily his most dramatic performance. However, in the world of Oscar prospects especially, the film will likely receive few accolades. Despite strong efforts from the cast, the film crashed between depressing drama and farcical comedy with none of the grace required.

The main issue with the film is Anand Tucker's direction. Only his second feature film, following 1998's Hilary and Jackie, Shopgirl is played far too serious. A heavy camera seems to plod its way through scene after scene. Several moments, mostly those with Jason Schwartzman in them, try to lighten things; but even some fairly good laughs cannot remove the feeling that this isn't a very happy film.

It is perhaps unfair to blame Tucker for the mood entirely. Similar complaints were leveled against Martin's original novella. But how much more endearing, how much more fun, this film would've been under someone like Rob Reiner. It is, after all, a comedy of relationship errors. There is drama here but the heart and soul of the story is in the laughter. The mistake is entirely in playing it as a drama with comedy, not a dramatic comedy.

The other main flaw is the tedious, and essentially needless, voice-over narration. Whether in screenplay format the narration read fine, or if it was added later to clarify the film for mainstream audiences, it detract. The actors are all capable enough to express their emotions without explanation. It is not hard to tell when a young woman goes home to an empty apartment and a cat that she is lonely. As remarked by a man sitting behind me: "A movie loses something when it has to be explained." The problem with the narration here is that Shopgirl doesn't need to be explained, but is.

Not helping the dreary atmosphere is Barrington Pheloung's ridiculously over-dramatic score. Echoing the work of Alexandre Desplat, especially Girl With a Pearl Earring (produced by Tucker), Pheloung seems insistent upon forcing drama into every note. The music plays less as an underscore than as an upstaging diva. Other technical work reaches must loftier heights. Nancy Steiner's endearing costume design, a cross between her work on The Virgin Suicides and a Day/Hudson comedy, gives instant heart to the characters. Danes' Mirabelle benefits the most. Likewise the art direction, by Sue Chan and David Smith, is delightful. Danes' apartment has an apt Vermont-meets-L.A. feel whereas Martin's two homes are cold and hollow, like his character.

The curious thing is that when all the elements come together Shopgirl is an enjoyable experience. As it was playing I really liked it. But when all is said and done there is something missing. Once you stop laughing you realize it is a profoundly unhappy film. Despite the strong and endearing performances the film is simply too sad to win any hearts, but well-meaning enough not to send any away.


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