The Price of Jealousy

1913

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Earl Metcalfe, Howard M. Mitchell, and Sadie Calhoun in The Price of Jealousy (1913)

Senorita Carmelita Morales, visiting the wife of Major Andrews, U.S.A., is shown much attention by Captain Herbert Richards, with whom she falls in love. Captain Salvada, of the Mexican Army... Read allSenorita Carmelita Morales, visiting the wife of Major Andrews, U.S.A., is shown much attention by Captain Herbert Richards, with whom she falls in love. Captain Salvada, of the Mexican Army, is a frequent caller at the post. Mildred West also comes to visit Mrs. Andrews, and Her... Read allSenorita Carmelita Morales, visiting the wife of Major Andrews, U.S.A., is shown much attention by Captain Herbert Richards, with whom she falls in love. Captain Salvada, of the Mexican Army, is a frequent caller at the post. Mildred West also comes to visit Mrs. Andrews, and Herbert at once forgets Carmelita, who is intensely jealous. Salvada attempts to show Mildred... Read all

Director
- Wilbert Melville
Stars

See production info at IMDbPro

YOUR RATING

Director
- Wilbert Melville
Stars

1User review

See production info at IMDbPro

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Top cast4

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Howard M. Mitchell

Captain Howard
(as Howard Mitchell)

Edna Payne

Mildred West

Earl Metcalfe

Capt. Salvada

Sadie Calhoun

Carmelita

Storyline

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User reviews1

Review

Featured review

Nothing in the backgrounds to indicate Mexico

It is unusual to see Howard Mitchell as the leading character, the hero. We are so accustomed to seeing him as the bold, bad fellow that it requires time to readjust our judgments. The story is one of the Mexican border. Apparently it was taken in Pennsylvania. Certainly there is nothing in the backgrounds to indicate Mexico. There is a real troop of cavalry, which goes far to make the pictures worth while. It is noticeable that when the soldiers ride out on duty they omit the usual moving picture "bunk" of carrying a flag large enough to do duty on a battleship. The troop climbing a steep hill forms a striking picture. Wilbert Melville directs the picture, and he deserves no special praise for making his '"villain" strike a bound man across the face. The conclusion of the picture has the merit of being different. - The Moving Picture World, February 22, 1913