Thomas Veil is a documentary photographer who, in the course of one evening, seemingly has his whole existence erased. It appears as if some mysterious and powerful entity has coerced ... See full summary »
Marvin LaRoy Sanders
A drama about a fortysomething man who entertains fantasies of a different life. Staging his apparent death, he moves to an island but pines for his former existence, and wonders if he could return to it.
Sara de Roo,
Van and Liam, brothers, have a distant early memory of a horrific accident that killed their biological parents years before when they were children. Hidden in that traumatic event are ... See full summary »
A handsome and successful young man's life begins to unravel when he develops an acute sense of paranoia. Things escalate when Jackson is convinced that a tv ad holds sinister messages ... See full summary »
Returning home from a trip to visit his mother, Nick discovers that a good friend of his, Sid, has apparently raped his girlfriend, Mary. More concerned with his own wounded pride than with... See full summary »
Michael Adler has run away from his suburban home with his little brother Dylan. Hiding out in a quiet, rural town, Michael's convinced he can make a better life for both of them. While ... See full summary »
Released after 20 years in prison, ex-con Charlie Sundstrom (Bailey Chase) returns to his home town to find that his estranged son, who has disappeared into the criminal underworld, is ... See full summary »
A government agent who had retired comes out to try to find a druglord who had his family murdered. However, as he assumes various roles, his chief becomes concerned about him as he starts ... See full summary »
No. This is NOT a black comedy/spoof/drama. This is very nearly nothing at all.
Chutzpah has a new--perhaps permanent--definition: NOWHERE MAN, an execrable would-be drama, would-be comedy, would-be satire, would-be goof/spoof, would-be Troma-type gore fest (Lloyd Kaufman even has a small role). So many would-be's and not a single be.
The height of the chutzpah is using outtakes during the end credits to what has already been one long outtake in itself. Without these dumber-than-usual add-ons, the film would have rolled in at just 70 minutes. With them, it stretches out the insult to 80. Jumping off (and crashing) from the John and Lorena Bobitt tale, the movie plays it mostly straight (very badly) but occasionally veers into leaden satire, which is even worse. The two leads could very possibly be decent actors. But not here. Technically the movie sucks, too, which leaves it without a single redeeming feature.
Now that I rethink for a moment, I must admit my earlier mistake: The tip-top height of chutzpah is that fact that this film actually received a theatrical release. Imagine the poor schnooks who paid movie-theatre prices!
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