HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ...
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A fictionalized account of the first major successful sexual harassment case in the United States -- Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated - seemingly forever.Written by
The film opened on only ten screens in the United States, and earned 46,133 dollars. See more »
[Guy and Gilda are on the pool table, naked under a blanket]
What are you wearing under there?
As it's your big day, I'm wearing my Birthday Suit in your honor.
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"Head in the Clouds", set in Paris (circa 1920's-1940's), is all about a trio of three characters; two women and one man. The centerpiece of the trio and the film is Theron as an independent, capricious, liberal and free spirited women who is in love with both her male and female part-time companions (Townsend & Cruz) who, in turn, both love her. The film follows the ebb and flow of the trio's relationships from their good times before the Spanish civil war through their bad times during WWII. An attempt at a sort of romantic epic, "Head in the Clouds" is wrought with staginess, corny dialogue, charming artificiality, and glorified melodrama. Not well received by the critics, this obvious film seems to be trying too hard while never quite ringing true. Should be an okay watch for romantics and sentimentalists. (B-)
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