Sarah and her husband have moved to a house in the country; their son, Loic, a college student, chaffs at the isolation and a tragedy occurs. A year later, Sarah lives alone in the house; ... See full summary »
Caroline du Potet,
Éric du Potet
As serial killer Lothar Schramm lies dying in his own blood, horrific memories of his miserable life of paranoia, self-harm and rejection flash before his eyes. A tragic look into the mind of a Borderline Personality Disorder psychopath.
Florian Koerner von Gustorf,
Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
In a penitentiary, four prisoners occupy a cell: Carrère, who used his company to commit a fraud and was betrayed by his wife; the drag Marcus and his protégée, the intellectually disabled ... See full summary »
Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
Successful, young, with a loving boyfriend on her side, Esther is a woman who seems satisfied with her life, nevertheless, ever since that profound laceration in her leg, underneath this elaborate facade, Esther conceals another, more compulsive self. Somehow numb to the pain, Esther, little by little, begins to develop an enthralling and equally compelling fascination for the taste of her own flesh, burrowing deeper and deeper into an unknown realm of self-mutilation and dreadful cannibalistic pleasure. Gradually, as the blind primitive impulses literally consume Esther, her ever-growing fits of fetishistic self-consuming rage will inevitably become noticeable to everyone, and above all, to her worried boyfriend. But he is just powerless against Esther's unsatisfied cravings. Written by
Disturbing as "In My Skin" is, the movie frequently pops into my mind. Looking at the film on the surface, I was disturbed by the imagery, as apparently were the other people in the theatre who all left before the movie was over.
This is a movie that, much like "Groundhog Day," might be best used for cinema therapy. On the surface, we see a woman who develops an unusual predilection for self-mutilation. Looking deeper though, I saw a woman who became consumed by her addictions. We would not have been as affected if she had "merely" been an alcoholic, a drug abuser, an anorexic or bulimic.
The woman's self-mutilation becomes a metaphor for any number of other self-destructive behaviors. Her self-mutilation is never seen by her friends or family. Similar to someone with anorexia wearing baggy clothes or a drug addict hiding their pain to the point where people would say, "Wow--I would have never suspected her/him to have that problem."
"In My Skin," lays out a plausible timeline for an addiction. Surely, the woman's friends and family in the film would spend hours later determining what they actually saw or thought they knew or wish they knew about the woman and her addictive behaviors.
"In My Skin" is very very powerful and uses a very disturbing metaphor that if people allowed themselves the chance to see and take the time to discuss, could be very influential long term.
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