Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
A car, following the Tour de France. Children screaming in front of the puppet show. Women, often prostitutes, trying to scream as they are being strangled. Then he will meet Claire, the ... See full summary »
As serial killer Lothar Schramm lies dying in his own blood, horrific memories of his miserable life of paranoia, self-harm and rejection flash before his eyes. A tragic look into the mind of a Borderline Personality Disorder psychopath.
Florian Koerner von Gustorf,
Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.
Successful, young, with a loving boyfriend on her side, Esther is a woman who seems satisfied with her life, nevertheless, ever since that profound laceration in her leg, underneath this elaborate facade, Esther conceals another, more compulsive self. Somehow numb to the pain, Esther, little by little, begins to develop an enthralling and equally compelling fascination for the taste of her own flesh, burrowing deeper and deeper into an unknown realm of self-mutilation and dreadful cannibalistic pleasure. Gradually, as the blind primitive impulses literally consume Esther, her ever-growing fits of fetishistic self-consuming rage will inevitably become noticeable to everyone, and above all, to her worried boyfriend. But he is just powerless against Esther's unsatisfied cravings.Written by
Highly original French horror...though not for all tastes
In My Skin certainly has some problems; but one of these problems isn't originality, and while things such as a lack of a true plot formula and explanation for the central character's actions may put some viewers off, the film deserves huge credit for stepping out of the mainstream and delivering something a little different to what most film fans will be used to. France has emerged over the past few years as one of the major forces in modern horror cinema, and while this film can't really be judged on the same terms as some of its fellow gory French horrors; it surely does help to bolster the nation's position at the top of the pile. The film represents a big personal project for Marina de Van; who wrote, directs and stars in the film! The plot begins when the central characters injures her leg fairly badly at a party. She is confused by the fact that despite the injury, she didn't really feel any pain and it's not long before she begins experimenting with her body and pain tolerance; eventually becoming unable to refrain from slicing herself open.
The film is very different to the average mainstream horror and will not be well received in all circles. However, this certainly is a fascinating journey into a woman's 'discovery of herself' (for lack of a better term). The film does lack a defining point and becomes a voyeuristic look into what can only be described as the central character's disease. The film must then rely on its central character and set pieces, and the writer/director/lead actress definitely does deliver in this area. The film is not short on blood, but it's all used well and never feels gratuitous. The real power of the film comes from depicting the character's experiments on herself; I can generally stomach any amount of disgusting gore, but seeing the character here slice herself open had me squirming and that is testament both to the way we are made to care for the character and the very realistic way that the film is portrayed. The film is carried by the lead actress who is always the star despite some good supporting performances. Marina de Van can certainly be very proud of her work on this one! The appeal of this film can only go so far, but personally I loved it and will not hesitate to recommend that everyone at least gives it a look!
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