Middle aged Chris Harper and Annie Clarke are best friends. They spend much of their time at their local Knapely, Yorkshire County chapter of the Women's Institute (WI), whose motto is "enlightenment, fun and friendship". Although they like most of the women at the WI (the friendship part), they, but the perceived flaky Chris in particular, hold the way Marie, the local president, runs the chapter with derision. They find much of what goes on there, especially the monthly presentations, banal and devoid of enlightenment and fun. Equally as banal was last year's fund-raising calendar, featuring local bridges, which raised a meager £75.60, with this year's proposed calendar, local churches, promising to be even more so. After Annie's husband John passes away from leukemia, Chris wants the WI to provide a memorial in his memory: a new sofa for the family room at the hospital. The one Chris wants to buy costs £999, which she proposes to raise by changing the fund-raising calendar to one ...Written by
The original "calendar girls" were members of the Rylstone Women's Institute, but much of the film was shot in and around the village of Kettlewell in North Yorkshire, some 10 miles away. Additional locations in England include Buckden, Burnsall, Coniston, Ilkley, Settle, Linton, Malham, Skipton, Westminster and Ealing in London. See more »
The girls are using a video camera in front of the hotel when Chris arrives. The word "Canon" on the camera strap is reversed, indicating the film has been flipped from left to right. Moments later after Chris gets out of the taxi, the film has been flipped back to its proper orientation. See more »
Come on, Sugden, it's your own time you're wasting.
[to the other calendar girls]
I was his junior school teacher.
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The cast list is split into two halves. The first thirteen actors/characters (Helen Mirren/Chris to John Fortune/Frank) are followed by the main crew such as the producers, writer and director, with the remaining cast appearing after this. See more »
I did not expect to enjoy this movie; from the few descriptions I'd seen I thought it would be a string of silly gags about nudity. I could not have been more wrong. The story involves some normal, believable characters dealing with grief and with the habitual narrowness of their lives in a creative way. I liked them and believed in them. At times some of the characters seem a bit to good to be true, but far more often I found myself thinking "yes, I know people like that." Their flaws and errors of judgment are handled well. When I first saw this movie I was totally unaware that it was based on a true story; that fact just put the cap on it. There's a little bit of saccharine, but a lot more unfiltered honey.
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