Birth (2004)

A young boy attempts to convince a woman that he is her dead husband reborn.

Director:

Jonathan Glazer

Writers:

Jean-Claude Carrière, Milo Addica

Stars:

Nicole Kidman, Cameron Bright, Lauren Bacall

Nominated for 1 Golden Globe. Another 2 wins & 17 nominations.

Cast

Cast overview, first billed only:
Nicole Kidman	...	Anna
Cameron Bright	...	Young Sean
Danny Huston	...	Joseph
Lauren Bacall	...	Eleanor
Alison Elliott	...	Laura
Arliss Howard	...	Bob
Michael Desautels	...	Sean
Anne Heche	...	Clara
Peter Stormare	...	Clifford
Ted Levine	...	Mr. Conte
Cara Seymour	...	Mrs. Conte
Joe M. Chalmers	...	Sinclair
Novella Nelson	...	Lee
Zoe Caldwell	...	Mrs. Hill
Charles Goff	...	Mr. Drummond

Storyline

Anna is a young widow who is finally getting on with her life after the death of her husband, Sean. Now engaged to be married, Anna meets a ten-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to the concern of her fiancé, her increased contact with him leads her to question the choices she has made in her life.

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Plot Keywords:

kubrickian | death | reincarnation | boy | widow | 

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Taglines:

She wished her husband would come back from the dead. Now, he is back.

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Genres:

Drama | Mystery | Romance | Thriller

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Motion Picture Rating (MPAA)

Rated R for sexuality

Details

Official Sites:

Metropolitan Filmexport [France] New Line Cinema

Country:

UK France Germany USA

Language:

English

Release Date:

29 October 2004 (USA)

Also Known As:

Reencarnación

Filming Locations:

1136 Fifth Avenue, Manhattan, New York City, New York, USA

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$1,705,577, 31 October 2004, Limited Release

Gross USA:

$5,005,883, 9 January 2005

Cumulative Worldwide Gross:

$23,925,492, 6 January 2008

Company Credits

Production Co:

New Line Cinema,Fine Line Features,Lou Yi Inc.

Technical Specs

Runtime:

100 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

One of Nicole Kidman's favorites among her filmography. She also believes it's one of the most overlooked and misunderstood films of her career, saying the controversies surrounding the bathtub scene eclipsed the themes of grief and vulnerability in the film.

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Goofs

The first scene is following from behind, a man in black hoodie, running on a snow covered road, surrounding a park. His left shoe/boot is obviously untied. Since he died of a heart attack, an untied shoe was not intended.

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Quotes

[first lines]
Voice of Sean: Ok, let me say this.
[sighs]
Voice of Sean: Let me say this. If I lost my wife and, and uh, the next day a little bird landed on my windowsill, looked me right in the eye, and in plain English said, 'Sean, it's me, Anna. I'm back' What could I say? I guess I'd believe her. Or I'd want to. I'd be stuck with a bird. But other than that, no. I'm a man of science. I just don't believe that mumbo-jumbo. Now, that's gonna have to be the last question. I need to go running before I head home.

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Connections

Referenced in 73 Questions: 73 Questions with Nicole Kidman (2015)

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Soundtracks

Bridal March from 'Lohengrin'
(1850)
Written by Richard Wagner
Arranged by Peter Raeburn & Christopher Austin

User Reviews

Coitus Interruptus

There is much to admire in this frustrating classy, pretty film. Nicole Kidman's performance for starters, an intriguing premise and a beautiful score. But this is a partial birth. Nothing is taking to completion. Scenes seem to start and then we're left with nothing. Important plot points are merely hinted while unnecessary repetitions are inflicted upon us with infuriating monotony. I'm not going to enter into details but just let me say that I was worked up to a frenzy without allowing me a climax of any kind. Nicole Kidman however is sublime. She is a fearless, sensational actress. She has one of the longest close ups in recent history and that is one of the greatest moments in a film full of almost great moments. There is something about Sean that doesn't make any sense. I'm not talking about young Sean but about the dead one. The Anne Heche's character is as absurd as Camilla Parker Bowles, with the difference that we know Prince Charles and the absurdity becomes him. We can't make head or tail of the dead Sean and as a consequence his life was merely a writer's excuse. Utterly unconvincing. In spite of all that I may see the film again and I've actually recommended it for Nicole Kidman's performance and a score that I've already bought and I've been playing incessantly.