Birth (2004)

A young boy attempts to convince a woman that he is her dead husband reborn.

Director:

Jonathan Glazer

Writers:

Jean-Claude Carrière, Milo Addica

Stars:

Nicole Kidman, Cameron Bright, Lauren Bacall

Nominated for 1 Golden Globe. Another 2 wins & 17 nominations.

Cast

Cast overview, first billed only:
Nicole Kidman	...	Anna
Cameron Bright	...	Young Sean
Danny Huston	...	Joseph
Lauren Bacall	...	Eleanor
Alison Elliott	...	Laura
Arliss Howard	...	Bob
Michael Desautels	...	Sean
Anne Heche	...	Clara
Peter Stormare	...	Clifford
Ted Levine	...	Mr. Conte
Cara Seymour	...	Mrs. Conte
Joe M. Chalmers	...	Sinclair
Novella Nelson	...	Lee
Zoe Caldwell	...	Mrs. Hill
Charles Goff	...	Mr. Drummond

Storyline

Anna is a young widow who is finally getting on with her life after the death of her husband, Sean. Now engaged to be married, Anna meets a ten-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to the concern of her fiancé, her increased contact with him leads her to question the choices she has made in her life.

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Plot Keywords:

kubrickian | death | reincarnation | boy | widow | 

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Taglines:

Be careful what you wish for.

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Genres:

Drama | Fantasy | Mystery | Thriller

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Motion Picture Rating (MPAA)

Rated R for sexuality

Details

Official Sites:

Metropolitan Filmexport [France] New Line Cinema

Country:

UK France Germany USA

Language:

English

Release Date:

29 October 2004 (USA)

Also Known As:

Reencarnación

Filming Locations:

1136 Fifth Avenue, Manhattan, New York City, New York, USA

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$1,705,577, 31 October 2004, Limited Release

Gross USA:

$5,005,883, 9 January 2005

Cumulative Worldwide Gross:

$23,925,492, 6 January 2008

Company Credits

Production Co:

New Line Cinema, Fine Line Features, Lou Yi Inc.

Technical Specs

Runtime:

100 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

One of Nicole Kidman's favorites among her filmography. She also believes it's one of the most overlooked and misunderstood films of her career, saying the controversies surrounding the bathtub scene eclipsed the themes of grief and vulnerability in the film.

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Goofs

Nicole Kidman's hair colour changes from reddish to blond several times.

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Quotes

[first lines]
Voice of Sean: Ok, let me say this.
[sighs]
Voice of Sean: Let me say this. If I lost my wife and, and uh, the next day a little bird landed on my windowsill, looked me right in the eye, and in plain English said, 'Sean, it's me, Anna. I'm back' What could I say? I guess I'd believe her. Or I'd want to. I'd be stuck with a bird. But other than that, no. I'm a man of science. I just don't believe that mumbo-jumbo. Now, that's gonna have to be the last question. I need to go running before I head home.

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Connections

Featured in Nicole Kidman: An American Cinematheque Tribute (2003)

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Soundtracks

Happy Birthday
(1893)
Written by Patty S. Hill & Mildred J. Hill (as Mildred Hill)

User Reviews

Handsome package with little inside...

Nicole Kidman is made-up and photographed in a breathtaking way--even more so than usual. Angular and arched, she's an elongated pixie, beautiful but not the same Kidman we've all seen walking the red carpet. Her Anna is slightly dazed, imposing at first but then maybe a little fragile; it's tough to get a fix on her, she's just beyond reach. Such an intelligent, tremulous woman would never let this plot-line go so far, as a youngster approaches her and claims to be the reincarnation of her deceased husband. Why doesn't she (or any of her family members) just say the obvious thing to the strange little boy: if you are who you say you are, prove it! Kidman walks all the way into the park to confront the boy but only asks him one question--and then runs away; the family greets the boy at the apartment, but instead of grilling him they give him dessert! It's a very frustrating movie, frustrating for the fact it had enormous potential but the opportunities for a sharp, smart, sophisticated human drama have been muffled out. **1/2 from ****