At college Paige meets Eddie, a fellow student from Denmark, whom she first dislikes but later accepts, likes, and loves; he proves to be Crown Prince Edvard. Paige follows him to Copenhagen, and he follows her back to school with a plan.
At the University of Wisconsin in Madison, Paige, a pre-med student and a farm girl from Manitowoc, meets Eddie, a fellow student from Denmark, whom she first dislikes but later accepts, likes, and loves. Paige takes Eddie to her home for the Thanksgiving weekend. Paparazzi find and photograph the couple, and Paige learns that Eddie is truly Crown Prince Edvard. Failing health causes King Haraald to abdicate in favor of Edvard, so Eddie returns to Copenhagen, then Paige follows her heart to Copenhagen, where Edvard warmly welcomes her, takes her to the castle, and introduces her to the royal family. Queen Rosalind first expresses opposition to Paige but later relents; King Haraald soon warms to her; Edvard proposes, Paige accepts, and he gives her a ring. However, Paige recalls her previous dream of going to Doctors Without Borders, so she breaks off and returns to school. Still, though, Edvard shows up at Paige's graduation and suggests an alternate plan.Written by
During the race in the beginning of the movie, the policeman holding back the crowd earlier in the race is the same policeman who is at the finish line with the checkered flag. Unless there was a shorter route between the two places, he could not have jumped on his motorcycle and gotten there before the racers. See more »
The chances of a relationship between yourself and Miss Paige are not promising. You two are of a completely different caliber.
Soren, just cause she isn't royalty doesn't mean she's not important.
The higher caliber I was referring to, sir, was hers.
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As transparent as it is absurd, "The Prince and Me" is nothing more than a regurgitation of the classic royalty-or-famous-person-meets--unsuspecting-commoner-and-they-fall-in-love- and-live-happily-ever-after fairytale that has been passed down from generation to generation. But thanks to the charms of the established young actress, Julia Stiles, and the new up and coming Brit, Luke Mably, mixed with the somehow amusing screenplay by the writers of the soon to come Kate Hudson picture "Raising Helen", "The Prince and Me," succeeds in its genre.
Set in Wisconsin, Paige Morgan (Julia Stiles) is a driven pre-med student who is determined not to be weighed down by a careless romance, and Prince Edward (Luke Mably) of Denmark is the restless king to be who is avoiding royal responsibility to be a rebellious college kid in the States. Despite his odd, self absorbed manner, and trailing assistant, nobody seems to guess his true identity, and Paige believes he is a foreign exchange student. The magnetism between Stiles and Mably cannot be denied, and when their two opposite characters attract, there are definitely fireworks. The cat and mouse chase exposition is much more interesting than the over the top finale, but it helps develop the story so you are still paying attention at the end.
And of course, Paige teaches Eddie about love and work ethic, while Eddie teaches Paige about poetry and the pains and pleasures of wealth and privilege. This dull, predictable, and recycled premise has been used many a time because with the right stars and right lighting, it easily reminds the audience of the innocence, joy, and surprises that are found in love. And that is truly the greatest story ever told, so why not tell it over and over and over and over again? Thus, an enjoyable cinema experience is practically guaranteed if you put the idea in capable hands.
Modest humor and sincere characters bring the story to life. The glimpse into Denmark royalty is intriguing and believable, and the film's characters are impossible to dislike. Stiles and Mably give equally thorough performances and I wouldn't mind seeing them pair up again for a more thought-provoking project.
Since the dialogue was satisfying, it is surprising the script at large wasn't a bit more realistic or original. But I assume that wasn't the aim, and am in a forgiving mood today.
In fact, I am glad that "The Prince and Me" didn't attempt to venture into more dramatic territory, for that would be unnecessary, and merely pretentious. Director Martha Coolige knows what "The Prince and Me" is and she doesn't try to make it anything more, so it stays on track with an obvious and clear goal in mind.
"The Prince and Me" won't change or challenge you, but it just may uplift you for the movie's duration plus two or three, maybe even five, minutes afterward, so why not pay the five to eight bucks? But if you seek more than temporary well wrapped candy, hunker in on the two leads or just avoid the picture completely.
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