Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
When her brother decides to ditch for a couple weeks, Viola heads over to his elite boarding school, disguised as him, and proceeds to fall for one of his soccer teammates, and soon learns she's not the only one with romantic troubles.
After total humiliation at her thirteenth birthday party, Jenna Rink wants to just hide until she's thirty. Thanks to some wishing dust, Jenna's prayer has been answered. With a knockout body, a dream apartment, a fabulous wardrobe, an athlete boyfriend, a dream job, and superstar friends, this can't be a better life. Unfortunately, Jenna realizes that this is not what she wanted. The only one that she needs is her childhood best friend, Matt, a boy that she thought destroyed her party. But when she finds him, he's a grown up, and not the same person that she knew.Written by
Gary Winick likened the scene between Jenna and Mark in Central Park to the balcony scene from Romeo and Juliet. Winick later payed homage to the play even further (with an actual balcony scene) in his final film Letters to Juliet (2010). See more »
When adult Jenna is in Matt's apartment she yells out "I want a fluffy pillow". Matt gets caught off guard by the outburst, backs up and bumps into the wall, then apologizes to the wall saying "oh sorry". See more »
The studio logo segues into the opening credits. Magic dust forms a backdrop and segues into the background during Jenna's picture taking. Then it segues into the title. The credits appear as if by magic. See more »
The body swap genre has been done before, and to much success, but the sweet nature of this film cancels out any lack of originality. Jennifer Garner, transported from a 13 year old girl into her 30 year old future self, gives a thoroughly appealing performance which is backed up with strong support from the likes of Mark Ruffallo, Judy Greer and Andy Serkis. Greer in particular is very well cast, she displays subtle but perfect comic timing, some of it improvised (watch out for the Bambi line towards the end of the movie).
The main surprise with this film is its emotional punch. The importance of family and the importance of staying true to yourself is filtered into the plot without being too sentimental or cloying. By the time the more emotional scenes come around, you might care so much about the characters that you cry along with them. Unashamedly girly, this is one to watch if you fancy a feel-good film that dares to go a little deeper.
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