The Passion of the Christ

This film is neither preachy nor pedantic, and was a welcome surprise for me. As a non-Christian who nevertheless respects the historical figure of Jesus Christ and the beauty of his philosophy and teachings, I found The Passion to be a powerful portrayal of much that I think is worthwhile about the Christ story. I know the film has been maligned for anti-semitic content (perhaps because Jews make mistakes in the film and are seen as persecutors instead of victims? - it could have been anybody!), and for various other problems - but let's face it - any movie portraying this subject was bound to face strong reactions. And kudos to Mel Gibson for not shying away from the subject by creating a sterile, gutless, Disney story out of what really was a good example of the everyday horror of life on the fringes of the Roman empire. Gibson invents a new genre with The Passion - that of historical horror.

The performances in this film are inspired. I felt that the film brought out the cowardice of the apostles very forcefully, and the courage and love of the two Maries in Jesus' life was palpable to the very end. The effect of Aramaic and Latin, with the moody soundtrack, was spellbinding. Again kudos to Mel Gibson for his courage and artistic integrity on the decisions involved in these elements of the film.

Final word - this is not a film for the whole family nor is it a feel-good film. Don't see it if you're not willing to confront the worst aspects of human nature up close. And don't go in looking for your own version of the story - it's not your film! This is what Mr. Gibson believes, and it's his own revelation, not necessarily to be shared by all.

For the first time in my life, when it comes to discussing a film, I've been rendered nearly speechless. Mel Gibson's `The Passion of the Christ,' which depicts the last 12 hours in the life of Jesus, defies the typical `it's good' or `it's bad' mentality of a review. It's so visually gripping, so heart-wrenching and so emotionally draining that writing about it simply can't do it justice.

Gibson, who directed and co-wrote the screenplay, went to great lengths to make sure his film was Biblically accurate and it shows. Jesus (played brilliantly by James Caviezel, `Frequency') looks Jewish, instead of the blond-haired, blue-eyed man usually seen in the role. Every line spoken is in Aramaic or Latin (with English subtitles). Every prop used, from whips and swords to clothing and wigs, looks stunningly authentic. What emerges is the most realistic depiction of Christ's suffering ever put on screen.

Most films about Jesus begin at His birth, give a kind of Cliff's Notes glance-over of His life, and make crucifixion seem slightly unpleasant - not `Passion.' The film is entirely about the journey to that specific event and shows it's possibly the most horrific method used to kill someone. `Passion' begins as Jesus agonizes in the Garden of Gethsemane, so troubled by His upcoming duty that His sweat turns to blood.

As He prays, He fights a spiritual battle. He knows He must die and, despite leading a sinless life, take on the sins of mankind so they can be saved. He has been abandoned by His followers. He is constantly tempted by Satan, who tells Jesus that one man can't possibly die for everyone's sins. After setting aside His own will and seeking His Father's, Jesus is betrayed by Judas Iscariot (one of His disciples) and handed over to Jewish authorities and eventually the Roman government.

What follows is an unflinching look at the way Christ was killed. His beatings, scourging and eventual crucifixion at the hands of Roman soldiers is shown in graphic detail. Where other films would cut away, `Passion' zooms in - every punch, every piece of flesh ripped away, every drop of blood, every thorn in His crown and every nail driven into His body is vividly captured on camera.

The film is slightly over two hours long, starts with Christ's arrest in the Garden and ends with His resurrection (covered in about 12 seconds). Everything between is His brutal suffering and it is relentless. There are several brief flashbacks to earlier times in Christ's life to provide a short relief from the violence, but none long enough for the audience to forget what they are watching.

The controversy that has surrounded `Passion' in recent months (consisting mostly of claims that it's anti-Semitic) is unfortunate. Yes, some Jews are responsible for the death of Jesus. But so are some Romans and, most importantly, so are the rest of us. Everyone, whether literally or symbolically, placed Jesus Christ on that cross to die. The film in no way implies that the Jewish nation as a whole is to blame for killing Him.

As a Christian, this film is a wake-up call. I've always known that Jesus suffered and died for me. I even know the physical things that happen during a scourging and crucifixion. Seeing the process right in front of you, however, is a completely different matter. I have never cried as hard as I did during `The Passion of the Christ.' As I watched Jesus being beaten, spit upon, whipped to near-death and ultimately nailed to a piece of wood, all I could keep thinking, over and over again, was `He did that for me. He did that for all of us.'

C.S. Lewis once said that Jesus could only be one of three things: Lord (as He said He was), a liar or a lunatic. Before viewing `The Passion of the Christ,' and strongly reinforced afterward, there is only one option for me. Whether Christian or non-Christian, I strongly urge you to see this film.

I watched first time at a special premiere for my church. We got to see it before anyone else since we saw it two days before it premiered nationwide.. To watch the reactions of my fellow church members was amazing. Many sat in stun silence, while others just bawled openly.

Now, all these years later, I can say this film is still probably the most powerful, and brutally honest film that I have ever seen. If you are a Christian as I am, this film shows everything that we ever need to see about Jesus's last 12 hours, but even if you are an atheist, this film is just plain powerful in the way it was made, and created.

Mel Gibson did as a Director in this film something I doubt that the great Martin Scorsese or Francis Ford Coppola, or Quentin Tarantino could never do.

From the cast, to the direction, to the sets, to the costumes, I believe this is al near perfect a film as you will ever see.

A lot of critics I have heard disliked or even dismissed this movie. They seemed to think that the movie should have focused on Christ's ministry and his teachings, and not on the crucifixion and the events leading up to it. These critics miss the point of this movie. As with all movies, The Passion was directed at a target audience, in this case Christians. The point of the movie was simply this: to make Christians understand, in a visceral way, what they knew intellectually from reading the bible: that Christ endured a horrible and brutal death in order to save us from our sins. It was completely successful in this, and was, perhaps, the most powerful movie I have ever seen.

Having avoided this film during its cinema release - partially thru fear as to whether I would be able to handle the violence etc I did eventually catch this on DVD. Bye the way - I write this as a non-religious person. The film was very watchable, never boring and Caviezel was superb in the main role. Your heart really went out to him - even as a "non-believer". I have to say that after all the acres of print I had read about the violence and bloodshed in the film, I actually felt it was rather less nasty than I may have feared. Certainly more visceral than, King of Kings, Greatest Story ever Told etc, a lot of the worst scenes took place in slow motion, off camera etc which somehow did make things easier to stomach. I can imagine if Mike Leigh or Ken Loach had made this it would have been far more unpleasant!

Powerful, moving, even if you don't actually "buy" the central storyline. Jim C truly looks as if he has gone thru hell. Respect is due - to him and all.

I think that the final few moments, segueing into the closing credits would have been quite something to experience in a full cinema!