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Girl with a Pearl Earring (2003)

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A young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.

Director:

Peter Webber

Writers:

Tracy Chevalier (novel), Olivia Hetreed (screenplay)
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Popularity
3,669 ( 418)
Nominated for 3 Oscars. Another 17 wins & 41 nominations. See more awards »

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Cast

Cast overview, first billed only:
Colin Firth ... Vermeer
Scarlett Johansson ... Griet
Tom Wilkinson ... Van Ruijven
Judy Parfitt ... Maria Thins
Cillian Murphy ... Pieter
Essie Davis ... Catharina
Joanna Scanlan ... Tanneke
Alakina Mann ... Cornelia
Chris McHallem Chris McHallem ... Griet's Father
Gabrielle Reidy Gabrielle Reidy ... Griet's Mother
Rollo Weeks ... Frans
Anna Popplewell ... Maertge
Anaïs Nepper Anaïs Nepper ... Lisbeth
Melanie Meyfroid Melanie Meyfroid ... Aleydis
Nathan Nepper Nathan Nepper ... Johannes
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Storyline

This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With a Pearl Earring" by 17th century Dutch master Johannes Vermeer. Little is known about the girl in the painting, it is speculated that she was a maid who lived in the house of the painter along with his family and other servants, though there is no historical evidence. This masterful film attempts to recreate the mysterious girl's life. Griet, played by Scarlett Johansson, is a maid in the house of painter Johannes Vermeer, played by British actor Colin Firth. Vermeer's wealthy patron and sole means of support, Van Ruijven, commissions him to paint Griet with the intent that he will have her for himself before it is finished. She must somehow secretly pose for the crucial painting without the knowledge of Vermeer's wife, avoid Van Ruijven's grasp, and protect herself from the cruel gossip of the world of a 17th century servant. Written by thexotherxchris

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Taglines:

Discover the mystery behind the legend. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | Luxembourg

Language:

English

Release Date:

30 January 2004 (USA) See more »

Also Known As:

Das Mädchen mit dem Perlenohrring See more »

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Box Office

Opening Weekend:

£384,498 (United Kingdom), 18 January 2004, Limited Release

Opening Weekend USA:

$89,472, 14 December 2003, Limited Release

Gross USA:

$11,634,362, 2 May 2004
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Although Vermeer and the painting both are real historic figures, the screenplay is based on Tracy Chevalier's novel and therefore largely fictional or hypothetical. Only 36 Vermeer paintings are known to exist today, and none of the models has ever been positively identified. A poster of the painting in her bedroom inspired Chevalier to write her own version of how it came to exist, based on the framework of Vermeer's known history. Chevalier sold the film rights and opted not to have any involvement in the film or screenplay, although after its release said that she was pleased with the results. See more »

Goofs

When Griet has just been shown around the house, she descends a staircase holding what looks like a hurricane lamp with a flame enclosed in glass. This kind of lamp was not invented till the 19th century, some 200 years after the painting was created. See more »

Quotes

[first lines]
Griet's Mother: Griet! Leave that.
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Connections

Featured in 1,001 Movies You Must See (Before You Die) (2014) See more »

Frequently Asked Questions

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User Reviews

 
Lyrical perfection if it's the sort of thing that turns you on
20 January 2004 | by Chris_DockerSee all my reviews

Is this an incredibly dull movie about a single painting - or is it a mesmerising and penetrating insight into art and a particular 17th century Dutch artist? It probably depends on your point of view.

Griet is a poor young girl who goes to work for the great Vermeer as a humble servant. She is pushed around emotionally by his overwrought and jealous wife, mischievous children and all-powerful lustful patron. Yet the biggest force in her life, gradually teasing out her own artistic sensibilities, is the Master himself. Griet becomes the subject of his most famous painting, lured by a mixture of dread and fascination.

For Vermeer the artist, his work is all-consuming. Every part of his world – the welfare of his family, his eccentricities, his whole energy and purpose in life, is concentrated into his work. That is not to say he lacks morals but simply that his work is his higher calling. To justify such a character, we could look to the role of art and its importance. Art can be worshipped for its own sake, like some wicked effigy, and used to excuse all manner of moral turpitude in its creator; or it can be seen as the entrance by which light can enter our soul, illuminate thought and our world in a way that cold logic alone would deny us, move us beyond the bounds of our immediate impressions and let us see the world about us in a new way, inspired and informed.

Griet carries this seed, to see beauty where others see only common place things, and it is a seed that the Master nourishes. There are times when Vermeer protects Griet from the people around he,r to whom she is so vulnerable, but is his concern towards her concern for her welfare, secret desire, or just a tool, an exquisite tool, of his trade?

Cinema is also being part of this artistic spectrum, if we allow it to be, affecting us in ways that let the viewer grow rather than just be entertained. Girl With a Pearl Earring certainly has sufficient integrity to do that, but if one just wanted to be entertained then it probably falls short. The art direction beautifully recreates Holland of the period and Scarlett Johansson gives a very well-tempered performance as young Griet. Costumes, music and overall cinematography are accomplished and haunting without loss of subtlety, producing a memorable film for lovers of art and cinema; but if paintings don't do anything for you, this film might not either.


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