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Girl with a Pearl Earring (2003)

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A young peasant maid working in the house of painter Johannes Vermeer becomes his talented assistant and the model for one of his most famous works.

Director:

Peter Webber

Writers:

Tracy Chevalier (novel), Olivia Hetreed (screenplay)
Reviews
Popularity
4,585 ( 215)
Nominated for 3 Oscars. Another 17 wins & 41 nominations. See more awards »

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Cast

Cast overview, first billed only:
Colin Firth ... Vermeer
Scarlett Johansson ... Griet
Tom Wilkinson ... Van Ruijven
Judy Parfitt ... Maria Thins
Cillian Murphy ... Pieter
Essie Davis ... Catharina
Joanna Scanlan ... Tanneke
Alakina Mann ... Cornelia
Chris McHallem Chris McHallem ... Griet's Father
Gabrielle Reidy Gabrielle Reidy ... Griet's Mother
Rollo Weeks ... Frans
Anna Popplewell ... Maertge
Anaïs Nepper Anaïs Nepper ... Lisbeth
Melanie Meyfroid Melanie Meyfroid ... Aleydis
Nathan Nepper Nathan Nepper ... Johannes
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Storyline

This film, adapted from a work of fiction by author Tracy Chevalier, tells a story about the events surrounding the creation of the painting "Girl With a Pearl Earring" by 17th century Dutch master Johannes Vermeer. Little is known about the girl in the painting, it is speculated that she was a maid who lived in the house of the painter along with his family and other servants, though there is no historical evidence. This masterful film attempts to recreate the mysterious girl's life. Griet, played by Scarlett Johansson, is a maid in the house of painter Johannes Vermeer, played by British actor Colin Firth. Vermeer's wealthy patron and sole means of support, Van Ruijven, commissions him to paint Griet with the intent that he will have her for himself before it is finished. She must somehow secretly pose for the crucial painting without the knowledge of Vermeer's wife, avoid Van Ruijven's grasp, and protect herself from the cruel gossip of the world of a 17th century servant. Written by thexotherxchris

Plot Summary | Add Synopsis

Taglines:

He had a vision no one saw as clearly as she. In a house where everything had its place, where every image had meaning, he gave her the power to see the light. She gave him a look that would last forever..... See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | Luxembourg

Language:

English

Release Date:

30 January 2004 (USA) See more »

Also Known As:

Das Mädchen mit dem Perlenohrring See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

£384,498 (United Kingdom), 18 January 2004, Limited Release

Opening Weekend USA:

$89,472, 14 December 2003, Limited Release

Gross USA:

$11,634,362, 2 May 2004
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The film mimics on several occasions the style of many of several the Dutch masters paintings of that era. The main character of focus is viewed from a room facing them and there is a window or door to open another area is behind that character. See more »

Goofs

When Griet poses for the first time in the film (about 30 minutes in) you see her with one hand on the window and with the other holding a water pitcher. This is taken from a painting Johannes Vermeer made in 1662-1663, called: Young Woman with a Water Pitcher, but the film takes place in 1665. See more »

Quotes

[first lines]
Griet's Mother: Griet! Leave that.
See more »

Connections

Referenced in Pointless Celebrities: Strictly Come Dancing (2018) See more »

Frequently Asked Questions

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User Reviews

visually stunning, though lacking in dramatic intensity
20 July 2004 | by Buddy-51See all my reviews

Behind every picture there lies a story, and the film `Girl With a Pearl Earring' purports to give us the inside scoop into the making of Vermeer's classic painting of the same name. In the mid 1600's, a young, illiterate peasant girl named Griet came to live and work as a servant in the home of the promising, yet still financially struggling, Dutch master. Obsessed by her beauty, Vermeer insisted on using her as the subject for one of his works, much to the horror and chagrin of his jealous and shrewish wife. Despite the domestic havoc it caused, the collaboration between artist and subject resulted in one of the genuine masterpieces of the art world.

Visually, this film could not be more stunning. Thanks to luminous cinematography, art direction and costume design, the audience watching this film feels almost as if it has been transported into a Vermeer work. Director Peter Webber recreates every element of that world in loving detail, right down to his choice of actress Scarlett Johansson, who is a dead ringer for the model in the original portrait. Alexandre Desplat's score also captures the lyrical, haunting tenderness of the subject matter.

`Girl With a Pearl Earring' is a very fine movie in many respects, but it is ultimately unsatisfying because it cannot match in content what it achieves in style. Despite the exquisite look of the film, the characters seem strangely underdeveloped, most especially Vermeer himself, who remains frustratingly superficial throughout. Thanks mainly to his taciturn moodiness, we never get to know much of what he is thinking or feeling. The romantic moments between artist and subject are admirably restrained – and thereby all the more erotic in nature – but we do feel as if we would like to know more about him as a person. Griet is only slightly more fully developed, although, in her case, we can at least ascribe this lack of information to the restrictions placed on her by her station in life and the society of her time. Unlike Vermeer, Griet was conditioned by the world around her to be a passive observer. But Vermeer needs to be a more dynamic presence in the story.

One admires the fact that the filmmakers have remained truthful to the spirit of the enterprise, refusing to indulge in cheap melodramatics to make the story more salacious and scandalous than in truth it really was. Yet, in dramatic terms, such integrity comes with a price, for the film often has the effect of lulling rather than stimulating us, of raising our expectations then failing to fully satisfy them. Perhaps, in the case of this particular artwork, the story-behind-the-picture wasn't really all that interesting to begin with.


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