The Company (2003)

Ensemble drama centered around a group of ballet dancers, with a focus on one young dancer (Campbell) who's poised to become a principal performer.

Director:

Robert Altman

Writers:

Neve Campbell (story), Barbara Turner (story)

Stars:

Neve Campbell, James Franco, Malcolm McDowell

2 nominations.

Cast

Cast overview, first billed only:
Neve Campbell	...	Loretta 'Ry' Ryan
Malcolm McDowell	...	Alberto Antonelli
James Franco	...	Josh
Barbara E. Robertson	...	Harriet (as Barbara Robertson)
William Dick	...	Edouard
Susie Cusack	...	Susie
Marilyn Dodds Frank	...	Mrs. Ryan
John Lordan	...	Mr. Ryan
Mariann Mayberry	...	Stepmother
Roderick Peeples	...	Stepfather
Yasen Peyankov	...	Justin's Mentor
Davis C. Robertson	...	Alec - Joffrey Dancer (as Davis Robertson)
Deborah Dawn	...	Deborah - Joffrey Dancer
John Gluckman	...	John - Joffrey Dancer
David Gombert	...	Justin - Joffrey Dancer

Storyline

An inside look at the world of ballet. With the complete cooperation of the Joffrey Ballet of Chicago, Altman follows the stories of the dancers, whose professional and personal lives grow impossibly close, as they cope with the demands of a life in the ballet. Campbell plays a gifted but conflicted company member on the verge of becoming a principal dancer at a fictional Chicago troupe, with McDowell the company's co-founder and artistic director, considered one of America's most exciting choreographers. Franco plays Campbell's boyfriend and one of the few characters not involved in the world of dance.

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Plot Keywords:

snapped achilles trendon | female nudity | nudity | chicago illinois | ballet | 

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Genres:

Drama | Music | Romance

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Motion Picture Rating (MPAA)

Rated PG-13 on appeal for brief strong language, some nudity and sexual content

Details

Official Sites:

Metropolitan Films [France] Sony Classic

Country:

Germany USA

Language:

English

Release Date:

20 May 2004 (Germany)

Also Known As:

A Companhia

Filming Locations:

Chicago, Illinois, USA

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$93,776, 28 December 2003, Limited Release

Gross USA:

$2,281,585, 9 May 2004

Company Credits

Production Co:

Sony Pictures Classics, Capitol Films, CP Medien AG

Technical Specs

Runtime:

112 min

Sound Mix:

DTS Dolby Digital SDDS (8 channels)

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

As screenwriter Barbara Turner knew next to nothing about the world of dance, she hung out with The Robert Joffrey Ballet Company for several weeks, during their rehearsals and while they were out socializing.

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Goofs

At about 1:10 while counting during a rehearsal, Harriet skips the 6th count of 8.

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Quotes

Alberto Antonelli: Ry, honey, let's scramble some ideas, instead of some asshole who contradicts me.

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Crazy Credits

The title is not shown until the end of the opening credits.

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Connections

Featured in Altman (2014)

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Soundtracks

My Funny Valentine
Written by Richard Rodgers and Lorenz Hart
Used by arrangement with Williamson Music and Chappell & Co.
Performed by Lee Wiley
Courtesy of Candid Productions

User Reviews

The Long Hello

Lets hope that Altman makes films for another 20 years and that he stays as adventuresome as he currently is.

In 'The Long Goodbye' Altman invented a rather new camera stance, literally asking the actors to improvise staging and having the camera discovering them.

It took a few decades for him to get back to such experiments with 'Gosford.' Now he takes it even further with perhaps the purest problem in film cinematography: how do you film dance?

Forget that this features Campbell in a vanity role: she is good enough and doesn't detract. Forget about any modicum of plot: there isn't any. And unlike 'Nashville' or the similarly selfreferential 'Player' there is no cynical commentary.

The commentary itself is selfreferential this time. Yes, this time the center of the film is how 'Mr A' orchestrates movement and images. This is most of all about himself, and is far, far more intelligent and subtle than say, 'Blowup.'

But along the way, you get possibly the best dance experience on film. That's because they've been able to use many cameras. There are not as many as 'Dancer in the Dark,' but each camera dances, engages with the dance and the dance of people and objects around the dance. So we get four layers of dance: the actual ballet, the orchestration of people around the production, the dancing cameras (enhanced by non-radical appearing radical editing) and the dance within the mind of Mr A who encourages, follows and captures them all.

Ted's Evaluation -- 3 of 3: Worth watching.