The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.
The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the... See full summary »
An inside look at the world of ballet. With the complete cooperation of the Joffrey Ballet of Chicago, Altman follows the stories of the dancers, whose professional and personal lives grow impossibly close, as they cope with the demands of a life in the ballet. Campbell plays a gifted but conflicted company member on the verge of becoming a principal dancer at a fictional Chicago troupe, with McDowell the company's co-founder and artistic director, considered one of America's most exciting choreographers. Franco plays Campbell's boyfriend and one of the few characters not involved in the world of dance.Written by
Andrea Barney <andrea808@hotmail..com>
Neve Campbell's character Ry was based on the life story of The Robert Joffrey Ballet dancer Trinity Hamilton (who appears as a corps member in the movie). The Goth club that Ry works in is the actual club where Hamilton worked to earn extra money and have some time away from the company. When Ry and Josh watch a video of one of Ry's recitals when she was a little girl, it is actually one of Hamilton's childhood home videos. See more »
After the female dancer finishes her solo, a single male voice is clearly heard shouting "Bravo!" from the audience. The correct word is "Brava", the feminine of bravo. See more »
The Company is the best ballet movie I have ever seen.
The Company is the best ballet movie I have ever seen, and I have seen quite a few. Most ballet fans will tolerate a silly, self-conscious,infantile story just to see the dancing. There was nothing to endure, however, by watching The Company. The dancing was wonderful, refreshing, and, at times, hypnotically beautiful; for that alone I will purchase the DVD once it is released. The story, though, was a very pleasant surprise. The dancers were adults; they were stoical, determined, talented professionals. There was no whining melodrama, only dedication. There was no sordid, steamy sex scenes with subsequent sleazy betrayals, but sweet, sensual, real love. Even those in power were not the usual glamorous megalomaniacs; they were dedicated, passionate, and astute. It's been a long time since I have been so delighted with any movie, let alone a ballet movie. What a wonderful departure from the mundane, silly world that Hollywood generally makes of ballet.
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