Andrew Largeman is a semi-successful television actor who plays an intellectually disabled quarterback. His somewhat controlling and psychiatrist father has led Andrew ("Large") to believe that his mother's wheelchair-bound life was his fault. Andrew decides to lay off the drugs that his father and his doctor made him believe that he needed, and began to see life for what it is. He began to feel the pain he had longed for, and began to have a genuine relationship with a girl who had some problems of her own.Written by
In the scenes where Andrew, Mark, and Sam are walking together, Natalie Portman had a hard time keeping up with Zach Braff and Peter Sarsgaard, because they are both so much taller than her. She was out of breath after most takes, because she had to walk so fast. See more »
The first time Andrew goes to look at the tub where his mother died (when he adjusts the dripping faucet) there is a white handicapped railing attached to the side of the tub, the second time he goes there (when he is sitting in the tub with Sam) there is no longer a handicapped rail. See more »
Los Angeles Tower, this is Transworld 22 Heavy. We are going down! Repeat, engines two and... L.A. Tower, this is... Mayday! Mayday!
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Special thanks to Anfang Family, Snyder Family, Randazzo Family, Definis Family, Trojan Family, Weiss Family. See more »
Although the film was shot in the Super 35 process, the VHS version entirely Pans and Scans throughout the whole film as if it were shot in Anamorphic Widescreen instead of properly framing it for Full Frame as most Super 35 films are. See more »
Movies with guns, explosions, Barbie/ken romance... You know the drill. They can be good films, but it's rare I ever relate to those movies.
I *really* related to this movie - both the main character played by Zach, and the pure concept and analogy on display here. This film earns itself a place in my DVD collection upon release for the sheer fact it matches my 20-something experience to a huge degree, and all the feelings along the way.
Normally films such as this tend to end up becoming "coming of age" stories - this isn't. It's simply about living life, but not knowing why you are living it.
An excellent film on many levels - 10/10.
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