Kaj is an alcoholic living on the money the Danish state is providing him. Him and his friends spend their time drinking beer at a public bench. One day Kaj's life turns upside down when a young lady and her child moves in next to him.
Marius Sonne Janischefska,
Stine Holm Joensen
Mick and Tom are an unlikely father-son team of petty thieves. They've been hired to steal a painting from a museum. By accident, they steal the wrong painting: Denmark's only original Rembrandt masterpiece, worth millions.
Three weeks before general elections, the leader of one of the country's largest parties, the Center Party, is involved in a severe car accident. The political scene is thrown into disarray... See full summary »
Anders W. Berthelsen,
Denmark, 1963: Teenagers Bjørn and Erik are into girls and being in a band helps Bjørn meet Anna. Erik likes Kirsten but she likes Bjørn. Having a mentally ill mom at home also ruins Erik's chances. Anna's pregnancy changes everything.
In the early '60s, 3 Danish classmates join a "den"/tree house. Steen likes his pet fish Zappa because it eats the weaker fish. Bjørn attracts girls and Mulle is a talkative, strong boy. Steen gets them into burglary and later escalates.
Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big ... See full summary »
Christoffer and Maja's trip to Prague to bring back Chistoffer's deceased father evolves into the story of a break-up. In the wake of the events that follow, secrets gradually emerge which threaten to destroy their marriage.
A young Danish man, Christoffer, lives a life of joy and happiness with his wife Maria in Stockholm. When his father dies his mother insists that Christoffer take over management of the family industry which is in danger of bankruptcy. He is torn between his chosen life and his sense of duty to his family and its past. When he chooses to step in as manager his family life and self-respect languish.Written by
Peter Brandt Nielsen
I saw this film at the 2003 London Film Festival and was impressed by the way it treated its audience, as adults. So many films are blatantly manipulative, pushing all the right buttons to extract all the appropriate responses. And it seems we are generally quite happy to collude in the process. Not so with this film. We are allowed to find our own way in, so that everyone's response to it will be singular and specific.The performances are unshowy and honest - not so easy when one of the protaganists is a celebrated actress. The clash between desire and duty, a well-worn theme, is given depth and clarity through a truthful, unsentimental and no-frills piece of film making. I'm looking forward to seeing it again.
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