6.9/10
5,268
57 user 63 critic

September 11 (2002)

11'09''01 - September 11 (original title)
Unrated | | Drama | 11 September 2002 (France)
The effects of the 9/11 terrorist attacks are told from different points of view around the world.

Directors:

Youssef Chahine, Amos Gitai (as Amos Gitaï) | 9 more credits »

Writers:

Alain Brigand (original idea), Youssef Chahine (segment) | 17 more credits »
3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Maryam Karimi Maryam Karimi ... L'institutrice (segment "Iran")
Mohamad Dolati Mohamad Dolati ... Enfant (segment "Iran")
Agelem Habibi Agelem Habibi ... Enfant (segment "Iran")
Esmat Vahedi Esmat Vahedi ... Enfant (segment "Iran")
Ameneh Banizadeh Ameneh Banizadeh ... Enfant (segment "Iran")
Razieh Jafari Razieh Jafari ... Enfant (segment "Iran")
Hassan Rezai Hassan Rezai ... Enfant (segment "Iran")
Najibeh Habibi Najibeh Habibi ... Enfant (segment "Iran")
Emmanuelle Laborit Emmanuelle Laborit ... Elle (segment "France")
Jérôme Horry Jérôme Horry ... Lui (segment "France")
Nour El-Sherif ... Youssef Chahine (segment "Egypt") (as Nour Elshérif)
Ahmed Haroun Ahmed Haroun ... Le G'I (segment "Egypt") (as Ahmed Seif Eldine)
Sanaa Younes Sanaa Younes ... La mère (segment "Egypt") (as Sanaa Younés)
Ahmed Fouad Selim Ahmed Fouad Selim ... Le père (segment "Egypt")
Maher Essam Maher Essam ... Le Palestinien (segment "Egypt")
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Storyline

Eleven directors from 11 countries each contribute an 11-minute short reflecting on the events of 11 September 2001. A village teacher in Iran tries to explain to her young students what's happened. City kids in Burkina Faso think they've spotted Osama bin Laden. A deaf Frenchwoman in Manhattan writes a Dear John letter to a man who has left that morning for work at the World Trade Center. A Chilean remembers Allende. Events recall other deaths. A mother endures more than her son's death. And so on. The tone varies, as do the locales. Most stories are about others coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

11 directors, 11 stories, 1 film.

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Details

Country:

UK | France | Egypt | Japan | Mexico | USA | Iran

Release Date:

11 September 2002 (France) See more »

Also Known As:

September 11 See more »

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Box Office

Opening Weekend USA:

$7,046, 20 July 2003

Gross USA:

$127,035

Cumulative Worldwide Gross:

$1,266,063
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Amos Gitai's segment was shot in a single continuous shot. See more »

Quotes

Pablo: Mothers, fathers and loved ones of those who died in New York, soon will be the 29th anniversary of our tuesday, 11th of September and the first anniversary of yours. We will remember you. I hope you will remember us.
See more »

Connections

Features Monsoon Wedding (2001) See more »

Soundtracks

Sto te nema
Popular Song
Sung by Dajana Kacar
(segment "Bosnia-Herzegovina")
See more »

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User Reviews

 
Eleven variations on the theme of September 11
23 November 2005 | by roland-104See all my reviews

French production in which leading film directors from 11 countries were invited to create 11-minute short films conveying their reflections on the events of September 11.

The film segments vary widely in content and quality. Two allude to U.S. complicity in terrorist acts (in Chile against Allende, who died on September 11, 1973, depicted in the segment by British director Ken Loach; and in Palestine by U.S.-backed Israelis, shown in the segment from Egyptian director Youssef Chahine). Two more recall other destructive acts (a Palestinian suicide bombing in Tel Aviv, shot by Israeli director Amos Gitan; the Japanese "holy war" against the west in WW II, by Shohei Imamura).

Ironies abound in several stories. Shadows that darken the New York City apartment of a grieving old man suddenly disappear as the World Trade towers telescope to the ground in Sean Penn's piece, bringing the man momentary joy. But in this bright light he can finally see that his wife is really gone. In Mira Nair's film, based on a real incident, a missing young man, also in New York City, the son of a Pakistani family, is first presumed to be a fugitive terrorist, but later he proves to a hero who sacrificed himself trying to save others in the towers.

There are poignant moments dotted throughout. Loach has his exiled Chilean man quote St. Augustine, to the effect that hope is built of anger and courage: anger at the way things are, courage to change them. Imamura tells us that there is no such thing as a holy war. Samira Makhmalbaf shows a teacher with her very young Afghan schoolchildren, exiled in Iran, trying to tell them about the events that have just transpired in New York. But they are understandably more impressed with a major event in their refugee camp, where two men have fallen into a deep well, one killed, the other sustaining a broken leg. This is comprehensible tragedy on a grand scale for the 6 year olds.

Idrissa Ouedraogo, from Burkina Faso, creates a drama in which the son of an ailing woman spots Osama bin Laden in their village and gathers his buddies to help capture the fugitive terrorist, in order to get the $25 million U. S. reward. He tells his friends not to let any of the adults know their plans, for the older folks would merely waste the money on cars and cigarettes, while he plans to help his mother and others who are sick and destitute.

It is Mexican director Alejandro Gonzalez Inarritu (maker of "Amores Perros") who provides by far the most powerful and chilling segment, one that, for the most part, shows only a darkened screen with audio tape loops of chanting and voices and occasional thudding sounds. Brief visual flashes gradually permit us to see bodies falling from the high floors of the towers, and it dawns on us that the thuds are these bodies hitting the ground. The sequence ends with elegiac orchestral music and a still shot, bearing a phrase first shown only in Arabic, then with a translation added: "Does God's light guide us or blind us?" (In various languages with English subtitles) Grade: 8/10 (B+). (Seen on 10/31/04). If you'd like to read more of my reviews, send me a message for directions to my websites.


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