A Is for Acid

This is a TV dramatization of the life of Acid Bath Murderer, John George Haigh. Starring Martin Clunes and Keeley Hawkes in headline roles. I came across the film on terrestrial free-view and really enjoyed it. Far from his "Men Behaving Badly" days Martin Clunes plays a role with vast emotional ranges in a beautifully recreated 1940's. Occasionally out right charming he is able to turn on a creepy and sadistic persona with ease. I don't normal like his acting but he seemed ideal for this role. Despite the films grizzly content matter it comes of as beautifully created piece of work, authentic to it's era with attention to detail. There is a maybe a heavier touch of violence compared to other TV dramatizations, but that goes with the territory when you base a film on one of the UK's biggest serial killers. Definitely worth a watch.

Based on the true story of the Acid Bath Murderer, John George Haigh, this TV drama stars Martin Clunes as the odd-looking, charming serial killer.

Normally I don't go in for TV dramas, but since this I have a passing interest in serial killers, I watched it -- I found it well scripted and well acted, with Clunes doing a good job -- at times he did bear a resemblance to the real Haigh (from old photographs I've see), and he brought a certain charm to his character, making his deceits all the more realistic, whilst his narrative voice contrasted this with a certain lack of emotion or inflection. Also, nicely paced.

A Is For Acid, 2002, 2 hrs. Based on a true story. Martin Clunes is solid as the serial killer. I thoroughly enjoyed this British drama. I can't call it a thriller because it was not tense. This murder mystery can be seen at night before bedtime without getting nightmares. I really appreciated the way the director told this story with his camera in a clear, understandable and simple fashion. The camera went from point A to point B to point C, following the action of the story. Clunes was a murderer but not a menace. Pleasant, in fact. I loved the smart brother who saw right through this mysterious murderer.

An affable psychopath in post-war Britain suckers in his down-at-heel acquaintances to liquidate them in acid and release ready funds. Will he be caught?

Lovely Poirot-style production, with oodles of acting quality. No great psychological insight, but at least the moral brigade is kept at bay and the natural horror seeps through the period atmosphere.

It refuses to creepify in the acid bath scenes - the last victim might have breathed in then gurgled out a great bubble of blood, but no - so a gentle horror, which was fine by me. I still took pleasure in the pace and performances, the setting and sound.

Overall, nicely judged and a good surprise.

Martin Clunes has an amazing range as an actor; he has attempted everything from Mr Chipps in "Goodbye Mr Chipps" to Garry the Slob in "Men Behaving Badly". In this TV film scripted by Glenn Chandler, creator of "Taggart", he impersonates a dapper, cheerful, sport car driving type who is also an accomplished pianist called John Haigh who turns out to be a diabolical serial killer who disposes of his victims in acid baths.

. It is a nice performance and the production values are splendid – seldom has England in the 1940s been better evoked, but there is something missing. What happened is clearly conveyed. How it was done is depicted as graphically as most audiences could reasonably take. But, the question of "why" is left hanging, as it were. Was it for the money? Did Haigh, like Dr Shipman, just get a kick out of killing? Or, despite the opinion of the dozen or so experts the prosecutors and the Home Office consulted, was Haigh crazy? At the trial, not shown in this film, Haigh, represented by top-flight counsel paid for by "The News of the World", pleaded insanity. Only one psychiatrist gave evidence for the defence, to such little effect that the prosecutor didn't bother to cross-examine him.

Well, it's not the film-makers' fault that Haigh was one of those bland serial killers who defy understanding. In line with his own account, Haigh's Yorkshire Plymouth Brethren parents are depicted as strict and narrow, but not as unloving. He turned to crime at an early age and had quite a record of petty dishonesty offences. For him, prison was Crime University and he hatched the idea for his body disposal method, the acid bath, while inside. He was capable of conducting an emotional relationship with the youthful "Gillian" (Keely Hawes) while luring his victims to their deaths.

For what it's worth I think Haigh's train of thought went something like this: "I am an outsider, society does not value my true worth, I will be good to people who do really appreciate me (like my parents and Gillian), and the rest are fair game." At least it makes more sense than the vampire theory. Haigh is also one of those criminals who were bound to be caught sooner or later (his arrest was not a miracle of detection), which makes one ask: did he think he was invincible or did he really want to be caught? The film doesn't help us with this, but it's a good reconstruction and a fine piece of acting by Martin Clunes.