Parody of historical epics that focuses on real-life Australian explorers William John Wills and Robert O'Hara Burkes, who tragically tried to cross the Australian continent from the south, to the north, a distance of 3,250 km.
A couple move to Sydney from a small town, and soon become lured by the bright lights of the big city. Colin, the scriptwriter husband, is corrupted by his editor and then falls for his ... See full summary »
Steve Beck (Vince Martin) is a Karate instructor, Robby Mason (Tom Jennings) his prize student. Beck is using drugs to give him an edge. Guy Duncan (Craig Pearce) is Beck's drug connection ... See full summary »
Joanna Eberhart, a wildly successful president of a TV Network, after a series of shocking events, suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class, and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the acerbic Bobbie Markowitz, a Jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful and, somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out?Written by
Miguel Cane <firstname.lastname@example.org>
Several scenes and some sub-plots were deleted and/or added to the film based on audience test reactions: - The scene where Faith Hill's character breaks down at the square dance ran a few seconds longer. - There was originally a scene of Walter contemplating whether or not he should go through with turning Joanna into a Stepford Wife, and the other husbands try to convince him that she'll be happy that way. - Filmed but deleted was an extravagant extended version of the scene between Bobbie and Joanna when Joanna finds out that Bobbie has been turned into a Stepford Wife. After Bobbie tells Joanna all of her shortcomings, Joanna stabs Bobbie above the breast with a butcher knife. Bobbie goes haywire, and sets about performing a number of household tasks in the manner of the old Tex Avery cartoons, with Bobbie's finger turning into a vacuum cleaner, her tongue into a squeegee and her head exploding off of her shoulders while demonstrating what an orgasm is like for a Stepford Wife. The scene concludes with Bobbie opening her breasts to reveal a built-in cooler and offering Joanna a beer. It was the biggest FX sequence in the film, but was cut out despite great expense and months of work by computer artists. This was done because preview audiences felt it was "too much". It can be found as a deleted scene on the DVD. - An extended scene of Walter in the basement of the men's club deactivating the Stepford program, and displays indicate that the women's real brains have been transplanted into robot bodies. At the end of the sequence Faith Hill's character shoots her hand out of her arm on a long robotic tether and holds her husband up in the air. - The original ending of the movie was an extension of the scene where Glenn Close kisses Christopher Walken's head. When she kisses it, the electricity throws Close up in the air, where she levitates, as in the old Tex Avery cartoons, and her shoes explode off of her feet and fly up against a wall and all of her hair stands on end. She falls down next to Walken's head, which briefly comes alive and croaks, "Good night. Thank you for visiting Stepford," while Joanna and Walter look on and the camera pulls back for the fade-out. See more »
When Claire drives Joanna through Stepford, her seat belt disappears and reappears between shots. See more »
Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
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The opening titles are shown alongside various vintage clips from the 1950s of women operating high-tech (for the time) appliances. See more »
I very rarely write comments here about films I didn't enjoy but this is different. This film boasts a cast that will be pulling people in cinemas. My advice is: don't bother. It's just the most boring, predictable, badly planned and executed piece of celluloid I've ever seen. It's as if Frank Oz had a good idea but got bored half-way through realising it. I haven't seen the original but surely the actors who got involved in this read the script of the remake? They can't have based their participation on the Seventies film, surely. Because the 2004 remake is full of awful cliches, bad jokes (OK, there are a couple of good lines but that's about it) and it is so empty of ideas that it makes you want to shout to the screen. If the actors playing in this film were unknowns there is NO WAY anyone would have gone to see it. It's just a parade of famous names (some good actors, some average) that sleepwalk through a dreadful script. It can't even become a cult classic - it's THAT average. 1/10 for me and that's being lenient.
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