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The Stepford Wives (2004)

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The secret to a Stepford wife lies behind the doors of the Men's Association of how women become different and immobilized robots.

Director:

Frank Oz

Writers:

Ira Levin (book), Paul Rudnick (screenplay)
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Popularity
3,445 ( 619)
3 wins. See more awards »

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Cast

Cast overview, first billed only:
Nicole Kidman ... Joanna Eberhart
Matthew Broderick ... Walter Kresby
Bette Midler ... Bobbie Markowitz
Glenn Close ... Claire Wellington
Christopher Walken ... Mike Wellington
Roger Bart ... Roger Bannister
David Marshall Grant ... Jerry Harmon
Jon Lovitz ... Dave Markowitz
Dylan Hartigan ... Pete Kresby
Fallon Brooking ... Kimberly Kresby
Faith Hill ... Sarah Sunderson
Matt Malloy ... Herb Sunderson
Kate Shindle ... Beth Peters
Tom Riis Farrell ... Stan Peters
Lorri Bagley ... Charmaine Van Sant
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Storyline

Joanna Eberhart, a wildly successful president of a TV Network, after a series of shocking events, suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class, and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the acerbic Bobbie Markowitz, a Jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful and, somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out? Written by Miguel Cane <stepford@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

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Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, thematic material and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Paramount Pictures | UIP [Brazil] | See more »

Country:

USA

Language:

English

Release Date:

11 June 2004 (USA) See more »

Also Known As:

Las mujeres perfectas See more »

Filming Locations:

Greenwich, Connecticut, USA See more »

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Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend USA:

$21,406,781, 13 June 2004, Wide Release

Gross USA:

$59,484,742

Cumulative Worldwide Gross:

$102,001,626
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Reunites Matthew Broderick with his Biloxi Blues (1988) co-star Christopher Walken. See more »

Goofs

When Walter is driving into Stepford, both Joanna and the kids disappear from the car, then re-appear again. See more »

Quotes

[first lines]
Helen Devlin: Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
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Crazy Credits

The opening credits are presented in a cursive script font rather than regular block letters. The letters alternate "flashing" on and off, mimicing machine lights. See more »

Connections

References The Silence of the Lambs (1991) See more »

Soundtracks

The Picadore March
(1889)
Music by John Philip Sousa
Performed by The Parade Brass & Symphony Orchestra
Courtesy of LaserLight Digital
by arrangement with Source/Q
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User Reviews

As Bad As It Gets
27 November 2004 | by gosh717See all my reviews

This movie is a perfect example of what is wrong with the state of movies today. The original was a gem, with excellent acting by Katharine Ross, Paula Prentiss, and Patrick O'Neal. It was part horror story, part feminist cautionary tale. Most of all, it was BELIEVABLE! You got the feeling these were real people, and that all this could really be happening--and with a minimum of "special effects". The dialogue was pretty intelligent, the plot twists weren't given away in the first 15 minutes, and the ending was a real shocker. You cared about the female characters in the movie--you cared about Joanna's plight, and rooted for her to escape her planned fate.

The current version could only--and was probably meant to--appeal to the lowest common denominator of movie-goer. In this film, the women are just as bad as the men--you don't give a damn what happens to them; that's how annoying the characters are. The laughs are cheap and lowbrow, vital plot elements of Ira Levin's novel are missing, and the acting is just plain bad.

You know what? I'm getting annoyed just writing about this dreck. If you have any taste, any sense, any feeling for good films, any aversion to wasting good money on bad movies--stay far away from this one!! See the original, and appreciate the stunning subtlety of a thinking person's movie, well-made and well-acted.


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