Joanna Eberhart, a wildly successful president of a TV Network, after a series of shocking events, suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class, and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the acerbic Bobbie Markowitz, a Jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful and, somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out?Written by
Miguel Cane <email@example.com>
The Kresby children, Pete and Kimberly, are in reality only 13 days apart in age. Dylan Hartigan was born on May 8, 1996. Fallon Brooking was born on May 21, 1996. See more »
Boom mic reflection visible in window over door in scene when Walter replies, "When I get back." See more »
Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
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The opening credits are presented in a cursive script font rather than regular block letters. The letters alternate "flashing" on and off, mimicing machine lights. See more »
Light hearted, better then the reviews have you believe.
I have read plenty of reviews where people are comparing this to 1975's, I don't think that's fair, as the interpretation of the novel is very different. The original film was very much a horror, this is a comedy with virtually no horror at all, but a definite vibe of political correctness.
It is obviously too sweet and syrupy for many, but it does have good points. It's loaded with irony, it's not laugh out loud humour, it's more tongue in cheek, with some good humour, mainly at the expense of little men. I liked the performances, Glenn Close and Bette Midler especially. It wasn't Kidman's finest hour, although she wasn't bad, just didn't get the best material to work with.
On the debit side, Matthew Broderick doesn't exactly shine, but worst of all is the lack of any horror vibe, it doesn't really have any suspenseful moments of any note.
It's a nice vanilla comedy, those looking for horror must avoid. The original movie is way better. 6/10
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