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The Stepford Wives (2004)

PG-13 | | Comedy, Horror, Sci-Fi | 11 June 2004 (USA)
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The secret to a Stepford wife lies behind the doors of the Men's Association of how women become different and immobilized robots.

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(book), (screenplay)
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Cast

Cast overview, first billed only:
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Pete Kresby
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Herb Sunderson
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Beth Peters
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Storyline

Joanna Eberhart, a wildly successful president of a TV Network, after a series of shocking events, suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class, and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the acerbic Bobbie Markowitz, a Jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful and, somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out? Written by Miguel Cane <stepford@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

The wives of Stepford have a secret. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, thematic material and language | See all certifications »

Parents Guide:

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Details

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Release Date:

11 June 2004 (USA)  »

Also Known As:

Las mujeres perfectas  »

Filming Locations:

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Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend USA:

$21,406,781, 13 June 2004, Wide Release

Gross USA:

$59,484,742

Cumulative Worldwide Gross:

$102,001,626
See more on IMDbPro »

Company Credits

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Technical Specs

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Sound Mix:

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1.85 : 1
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Did You Know?

Trivia

Siblings John Cusack and Joan Cusack were originally cast as Walter Eberhart and Bobbie Markowe respectively, but had to drop out of the film for family reasons. See more »

Goofs

Moments before Walter drives to up to the Stepford community gates, the scenery outside his window shows cars passing by him even though he is driving on a one-way street. See more »

Quotes

[first lines]
Helen Devlin: Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
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Crazy Credits

The opening credits are presented in a cursive script font rather than regular block letters. The letters alternate "flashing" on and off, mimicing machine lights. See more »

Connections

Referenced in The Cinema Snob: Marci X (2018) See more »

Soundtracks

The Star Spangled Banner
(1814)
Music by John Stafford Smith (as J.S. Smith) from "To Anacreon in Heaven" (1765?)
Lyrics by Francis Scott Key (as F.S. Key)
Arranged by Frank Asper
Performed by Mormon Tabernacle Choir (as The Mormon Tabernacle Choir)
Courtesy of Columbia Records
by arrangement with Sony Music Licensing
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User Reviews

 
Alpha Bits
2 July 2005 | by See all my reviews

Ultra modern reworking of Ira Levin's bestseller from the 1970s (and the 1975 film counterpart starring Katharine Ross) about Connecticut suburb filled with perky, beautiful housewives and their boorish, piggy husbands. Nicole Kidman is very good as the newcomer in town whose husband (a rather stolid Matthew Broderick) immediately joins the Men's Association. Abandoning the sly dark humor of the original movie, this rather bombastic--and brief--92 minute version shows heavy signs of post-production tinkering. There are all sorts of things wrong with this movie, starting with the obvious hedging-of-bets pertaining to the mystery behind the wives (which might've been wildly successful if the filmmakers had just stuck to their original vision); Kidman's children disappear at camp, are brought home (off-camera), and then disappear again; one Stepford bunny coughs up money--exactly how is this done according to Christopher Walken's "home movie" near the finish? But the worst is saved for last, when an outlandish twist leads to the kind of teeth-grinding, Larry King-cameoed ending that undermines director Frank Oz's ability to even work on a movie much less direct one. Some of the cartoonish humor (though over-the-top) is entertaining and colorful, and the movie's first 45 minutes are good, but the thicker the plot gets, the more ridiculous the film becomes. *1/2 from ****


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