A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
The story of an uptown rat that gets flushed down the toilet from his penthouse apartment, ending in the sewers of London, where he has to learn a whole new and different way of life.
Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
In a robot world, a young idealistic inventor travels to the big city to join his inspiration's company, only to find himself opposing its sinister new management.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Directors:
Simon J. Smith,
Steve Hickner
Stars:
Jerry Seinfeld,
Renée Zellweger,
Matthew Broderick
When a son of a gangster shark boss is accidentally killed while on the hunt, his would-be prey and his vegetarian brother decide to use the incident to their own advantage.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
Directors:
Rob Letterman,
Conrad Vernon
Stars:
Reese Witherspoon,
Rainn Wilson,
Stephen Colbert
A local scientist is often regarded as a failure until he invents a machine that can make food fall from the sky. But little does he know, that things are about to take a turn for the worst.
When Blu, a domesticated macaw from small-town Minnesota, meets the fiercely independent Jewel, he takes off on an adventure to Rio de Janeiro with the bird of his dreams.
Director:
Carlos Saldanha
Stars:
Jesse Eisenberg,
Anne Hathaway,
George Lopez
An outlaw cat, his childhood egg-friend and a seductive thief kitty set out in search for the eggs of the fabled Golden Goose to clear his name, restore his lost honor and regain the trust of his mother and town.
Director:
Chris Miller
Stars:
Antonio Banderas,
Salma Hayek,
Zach Galifianakis
The canine star of a fictional sci-fi/action show that believes his powers are real embarks on a cross country trek to save his co-star from a threat he believes is just as real.
RJ, a raccoon who needs food, accidentally takes food from a hungry bear named Vincent and he wants his food to be found in exactly the same place in a week. He finally finds that an animal family, with a tortoise named Verne as their leader, could help him restore the food from the suburbia, the gateway to the good life. But little does RJ know, there is a woman who has recently hired an exterminator to try to hunt them down.
(At around 39 minutes) When Hammy gives R.J. the energy drink, saying, "I'm not supposed to have this", he sits down and starts to sip on a juice box. If you look closely, you can see enough letters to make out the name on the juice box as "Nearly Juice", possibly a joke on the FDA's "restriction" that you can only call something a "fruit juice" drink if it has at least ten percent real juice. See more »
Goofs
Many of the animals depicted as hibernating don't actually hibernate (including the squirrel). See more »
Quotes
[first lines]
[RJ is trying to get a snack from the snack machine and it breaks]
RJ:
No! Come on!
See more »
Crazy Credits
The opening credits appear on objects in the background as R.J. walks away from Vincent's cave. These are omitted in international releases. See more »
My low expectations were floored by a great adventure à la DreamWorks a simple adventure about survival in which a raccoon 'accidentally' steals and loses all provisions belonging to a ferocious bear, whom then threatens him and demands he replenish every item of food lost within one week or else he will suffer the consequences. Over the Hedge thus sees RJ the raccoon (Bruce Willis) scour the environment in search for goods, a mission that is facilitated when RJ comes across a mismatched family of forest creatures whom he convinces to help him gather the food he needs from the Suburbian residences just over the hedge.
The film opens with RJ on a scrat-like adventure after that-one-piece-of-food and he suffers all the detours and diversion that this mission entails. As is the meticulous animation style of DreamWorks, it lacks the rewarding simplicity of Blue Sky Studios (Ice Age) and does not quite achieve the same level of hilarity and laughter that the latter effortlessly elicits. It even mimics the possum playing dead from Ice Age: The Meltdown which evokes more raised eyebrows than anything. At this point I am also noticing that Willis' voice is much too muzzled and unremarkable to be lent to a protagonist. Although, Nick Nolte makes for a fine bear villain.
Soon 'Over the Hedge' thankfully abandons mediocrity and completely stuns me with layered humour and an energy that it begins to apply to all aspects in the film, the hyper-active ADHD squirrel Hammy most of all. It spirals into an enjoyable romp evenly peppered with 1) goofy light laughs for kids (courtesy of Hammy the squirrel), 2) balanced gags-for-all such as the hilarious zealot exterminator who botches his way through the tracking down of the pesky vermin and 3) sophisticated humour and interwoven references from Citizen Kane, A Streetcar Named Desire and Dr Phil. It is a perfect amalgam of different sorts of comedy and blends and balances its content with deft strokes. Granted, the story neatly ticks off clichés from a formula but it does so skillfully.
Indeed there is a surprising amount of sophistication to be found when you weed through all the standard spoofs. Specifically the film directs social commentary on humans' and animals' eating habits as RJ remarks how "We eat to live. Humans live to eat." It juxtaposes these lifestyles when the forest family teams up to assault the neighbourhood in which larger-than-life boxes and packets of nachos, donuts and popcorn are abundant and the shiny silver fridge is Mecca. In the midst of the food-heists there is much action to be found in the form of vibrant, kinetic chases, shooting rockets and acrobatic stunts over the hedge. It is even a bit chaotic toward the end but a great slow-motion capture ties the pacing together.
The aforementioned render 'Over the Hedge' a very alive film and its action alone rightfully vaults it into 'Great Animated Comedies' status. It is no Shrek, but it's extremely enjoyable. Like Shrek however, DreamWorks provides for the crisp, aesthetically-intoxicating animation of nature whose every screenshot is so picturesque that you just want to snap a picture of, frame and hang in on your wall. What's more is that its heist-oriented core with its mandatory sense of immediate danger tingling in the air is something of what Mike Tyson was the boxing in the 1980's: A safe bet.
8 out of 10
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My low expectations were floored by a great adventure à la DreamWorks a simple adventure about survival in which a raccoon 'accidentally' steals and loses all provisions belonging to a ferocious bear, whom then threatens him and demands he replenish every item of food lost within one week or else he will suffer the consequences. Over the Hedge thus sees RJ the raccoon (Bruce Willis) scour the environment in search for goods, a mission that is facilitated when RJ comes across a mismatched family of forest creatures whom he convinces to help him gather the food he needs from the Suburbian residences just over the hedge.
The film opens with RJ on a scrat-like adventure after that-one-piece-of-food and he suffers all the detours and diversion that this mission entails. As is the meticulous animation style of DreamWorks, it lacks the rewarding simplicity of Blue Sky Studios (Ice Age) and does not quite achieve the same level of hilarity and laughter that the latter effortlessly elicits. It even mimics the possum playing dead from Ice Age: The Meltdown which evokes more raised eyebrows than anything. At this point I am also noticing that Willis' voice is much too muzzled and unremarkable to be lent to a protagonist. Although, Nick Nolte makes for a fine bear villain.
Soon 'Over the Hedge' thankfully abandons mediocrity and completely stuns me with layered humour and an energy that it begins to apply to all aspects in the film, the hyper-active ADHD squirrel Hammy most of all. It spirals into an enjoyable romp evenly peppered with 1) goofy light laughs for kids (courtesy of Hammy the squirrel), 2) balanced gags-for-all such as the hilarious zealot exterminator who botches his way through the tracking down of the pesky vermin and 3) sophisticated humour and interwoven references from Citizen Kane, A Streetcar Named Desire and Dr Phil. It is a perfect amalgam of different sorts of comedy and blends and balances its content with deft strokes. Granted, the story neatly ticks off clichés from a formula but it does so skillfully.
Indeed there is a surprising amount of sophistication to be found when you weed through all the standard spoofs. Specifically the film directs social commentary on humans' and animals' eating habits as RJ remarks how "We eat to live. Humans live to eat." It juxtaposes these lifestyles when the forest family teams up to assault the neighbourhood in which larger-than-life boxes and packets of nachos, donuts and popcorn are abundant and the shiny silver fridge is Mecca. In the midst of the food-heists there is much action to be found in the form of vibrant, kinetic chases, shooting rockets and acrobatic stunts over the hedge. It is even a bit chaotic toward the end but a great slow-motion capture ties the pacing together.
The aforementioned render 'Over the Hedge' a very alive film and its action alone rightfully vaults it into 'Great Animated Comedies' status. It is no Shrek, but it's extremely enjoyable. Like Shrek however, DreamWorks provides for the crisp, aesthetically-intoxicating animation of nature whose every screenshot is so picturesque that you just want to snap a picture of, frame and hang in on your wall. What's more is that its heist-oriented core with its mandatory sense of immediate danger tingling in the air is something of what Mike Tyson was the boxing in the 1980's: A safe bet.
8 out of 10