6.6/10
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15 user 18 critic
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Viktor, a methodical hit man, probably on his last job, has no plan for his retirement. He does not kill Nina, a woman sleeping beside his latest mark; then he follows her and rescues her ... See full summary »

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2 wins. See more awards »

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Cast

Cast overview, first billed only:
... Viktor
... Nina
... Lang
... Der junge Polizist
... Die Ermittlerin
Peter Fitz ... Martin Hinrich
Wilhelm Manske ... Der Russe
... Grundschullehrerin
... Sicherheitschef des Russen
Murat Yilmaz ... Killer des Russen
... Freundin des Russen
Kevin Ruhland ... Felix
... Observierer Kamera
Werner Karle Jr. ... Observierer Ton (as Werner Karle jun.)
Antonio Di Mauro ... Polizist in Ninas Wohnung (as Antonio Dimauro)
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Storyline

Viktor, a methodical hit man, probably on his last job, has no plan for his retirement. He does not kill Nina, a woman sleeping beside his latest mark; then he follows her and rescues her from an attempted suicide. Nina is attracted to him, but also wants to know who he is. Her pursuit of his identity crosses the investigation of Lang, a brilliant police investigator who tries to inhabit the minds of the victims and the killer. Viktor's employer also wants to kill Viktor and his contact, an aging arms dealer and family friend. Does Viktor have a future? Written by <jhailey@hotmail.com>

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29 April 2004 (Germany)  »

Also Known As:

Soundless  »

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2.35 : 1
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Did You Know?

Trivia

The first school day photo is a real youth photo of Joachim Król. See more »

Soundtracks

Set Me Free (Empty Rooms)
Jam & Spoon feat. Rea
Produced by Jam El Mar and Mark Spoon
for Allstar Music Production
at Allstar Studio, Frankfurt/Germany
Vocals Rea Garvey
Guitars by Peter Weihe and Jam El Mar
Additional drums by Christoph Leis-Bendorff
Music by Jam El Mar
Lyrics by Rea Garvey
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User Reviews

 
Triumph of style over substance
10 April 2007 | by See all my reviews

Interesting crime film that left me as confused at the end as I was at the beginning. Except for an undeveloped reference about a murder when the killer was nine years old, the film just doesn't give us enough information about a cold-blooded (but perfectionist) killer. It's too slick by half, although the visuals are quite stunning. One critic suggested that you're not supposed to examine this too closely -- just absorb what you see and enjoy it. Fair enough if that's good enough for you. I could not engage with the characters, who seem like they're seeking an author in a Pirandello play. The acting is first-rate, the forensics interesting (if you like that kind of procedural stuff), but in the end it lacked a solid story that made you want to care about Viktor, the silent, soundless killer.


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