As students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.
In the 1870s, Captain Nathan Algren, a cynical veteran of the American Civil war who will work for anyone, is hired by Americans who want lucrative contracts with the Emperor of Japan to train the peasant conscripts for the first standing imperial army in modern warfare using firearms. The imperial Omura cabinet's first priority is to repress a rebellion of traditionalist Samurai -hereditary warriors- who remain devoted to the sacred dynasty but reject the Westernizing policy and even refuse firearms. Yet when his ill-prepared superior force sets out too soon, their panic allows the sword-wielding samurai to crush them. Badly wounded Algren's courageous stand makes the samurai leader Katsumoto spare his life; once nursed to health he learns to know and respect the old Japanese way, and participates as advisor in Katsumoto's failed attempt to save the Bushido tradition, but Omura gets repressive laws enacted- he must now choose to honor his loyalty to one of the embittered sides when ...Written by
The swords used in the film are the folded steel Orchid katanas by Paul Chen. Originally blue, they were painted red to match the armor of the Samurai that Algren kills in his first engagement with Katsumoto's men. It it the same armor that Taka dresses Algren in for the final battle. In all, seven live blades were purchased for the production from Ameurasiart in the United States. See more »
When Algren is experimenting in his new robe, the boy is seen watching him and begins to bow after being noticed by Algren. In the next shot, the boy's head is suddenly upright again. See more »
They say Japan was made by a sword. They say the old gods dipped a coral blade into the ocean, and when they pulled it out four perfect drops fell back into the sea, and those drops became the islands of Japan. I say, Japan was made by a handful of brave men. Warriors, willing to give their lives for what seems to have become a forgotten word: honor.
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The opening Warner Bros. logo is light blue on a solid black background. See more »
The Last Samurai is a brilliantly crafted aesthetic pleasure, studded with supernal performances from Ken Watanabe and Tom Cruise. In fact, Tom Cruise unarguably gives his best ever performance, surpassing his portrayal of Jerry Maguire in the eponymous flick. His plaintive portrayal of Nathan Algren, not only evokes pathos but also seeks sympathy of the contemporary viewer, who can vicariously relate to Algren's disconcertion, owing to his inner conflicts of patriotism vis-à-vis humanity.
However, it is Ken Watanabe, who steals the show with his mesmerizing and poignant portrayal of Katsumoto, the leader of the last clan of Samurai. His screen presence and delivery is truly amazing and even outshines that of Tom Cruise, which is a compliment in itself. The scenes between Watanabe and Cruise are pure gold, depicting fluctuating feelings of hostility, compassion and camaraderie.
Watanabe's intense and powerful performance in which he displays a wide range of emotions, is definitely worthy of the coveted statuette, but the academy never fails to disappoint. Watanabe's brilliant portrayal, not only mesmerizes the viewers, but also convinces the critics of his acting abilities. The tacit adoration between Algren and Taka (subtly played by Koyuki), enormously adds to the beauty of the movie. All this coupled with some brilliant cinematography and a mesmerizing score, makes it a treat to watch and a truly surreal experience.
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