4 user 2 critic

Sorrell and Son 

Heartfelt story of a father making sacrifices to help his son over the years. Remake of one of films great "lost films"

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Series cast summary:
Richard Pasco Richard Pasco ...  Stephen Sorrell 6 episodes, 1984
John Shrapnel ...  Thomas Roland 6 episodes, 1984
Gwen Watford ...  Dora Sorrell 4 episodes, 1984
Peter Chelsom ...  Kit Sorrell 4 episodes, 1984
Prunella Ransome ...  Fanny Garland 4 episodes, 1984
Sarah Neville Sarah Neville ...  Molly Pentreath 3 episodes, 1984
Michael Troughton ...  Maurice 3 episodes, 1984
Elizabeth Sinclair Elizabeth Sinclair ...  Cherry 3 episodes, 1984
Norman Mills Norman Mills ...  Hodges / ... 3 episodes, 1984


Stephen Sorrell, a decorated war hero, raises his son Kit alone after Kit's mother deserts husband and child in the boy's infancy. Sorrell loses a promising job offer and is forced to take work as a menial. Both his dignity and his health are damaged as he suffers under the exhausting labor and harsh treatment he receives as a hotel porter. But Sorrell thrives in the knowledge that his son will benefit from his labors. Sorrell has allowed the boy to believe his mother dead, but when the mother shows up, wanting to re-enter the young man's life, Sorrell must make hard decisions. Written by Jim Beaver <jumblejim@prodigy.net>

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Release Date:

13 December 1987 (USA) See more »

Also Known As:

Kit See more »

Company Credits

Show more on IMDbPro »

Technical Specs


(6 episodes) | (DVD)

Sound Mix:




Aspect Ratio:

1.33 : 1
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Did You Know?


Version of Sorrell and Son (1933) See more »

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User Reviews

Belatedly, yet one more "for the books"
9 August 2008 | by skyhouse5See all my reviews

At almost=89, I cannot even recall whether I ever saw the H.B. Warner version of this classic father/son tale, but, belatedly, deaf and sans captions as well, I have stumbled onto this "modern" retelling, and I can say that I believe this has to be one "for the books," as in an authentic "classic." Richard Pasco's performance is MORE than "Oscar"-worthy, down to his aged makeup and his convincing senility, and the denouement is nothing short of "moving" and "cathartic," the raison-d'etre of drama and theater and film and telly, no? It surpasses mere sex, into the realm of simple humanity, a realm few if any manage to enter so tellingly. The rest is the subtlest and best of Brit mummery of the recent past, mature and assured and quietly assertive. Let the mobs celebrate the explosions and the digitally created images, I, for one, prefer these quiet meditations on the human condition, which is timeless, unless the idiots manage to blow ALL of us into vapor and not even dust.

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