| Cast overview, first billed only: | |||
| Jeff Goldblum | ... | George Gorton | |
| Anthony LaPaglia | ... | Dick Dresner | |
| Liev Schreiber | ... | Joe Shumate | |
| Boris Lee Krutonog | ... | Felix Braynin (as Boris Krutonog) | |
| Svetlana Efremova | ... | Tatiana Dyachenko | |
| Shauna MacDonald | ... | Lisa | |
| Gregory Hlady | ... | Andrei Lugov | |
|
|
Vladimir Radian | ... | Vasso |
| Ilia Volok | ... | Elvis Impersonator | |
|
|
Konstantin Kazakov | ... | Oleg Soskovets |
| Judah Katz | ... | Michael Kramer | |
| Maria Syrgiannis | ... | Female Journalist | |
|
|
Ola Sturik | ... | Post Office Clerk |
|
|
Gillian Vanderburgh | ... | Dick Dresner's Wife |
|
|
Serge Timokhin | ... | Hotel Desk Clerk |
Early in 1996, three Republican campaign operatives take a job in secret assisting Boris Yeltsin's reelection. Once in Moscow, they find he's polling at 6 percent with the election a few months away. While Dick Dresner wants to go home, George Gorton and Joe Shumate vote to stay. First, they must get someone's attention; they succeed finally with Yeltsin's daughter. Then it's polling, focus groups, messages and spin. Even as Yeltsin's numbers go up, the trio are unsure who hired them and whether Yeltsin's allies have a different plan in mind than election victory. When the going gets toughest, it's Gorton who puts a spin on our stake: democracy and capitalism must win. Written by <jhailey@hotmail.com>
I was watching the election returns in my friends' apartment in St. Petersburg on June 16, 1996, and thus had seen the documentary footage in this film first-hand. Watching "Spinning Boris" on DVD, I did not suspect that it was based on reality rather than conjecture until I watched the interviews with the political consultants on whom it is based. It is a tribute to the writers that the film came off as incredible fiction. Very enjoyable. The dialogue is very clever among the Americans (in the good old "buddy movie" tradition) , and I was impressed at the texture of the Russian setting, all the while not believing the story line. (I recall less dire numbers in the polls, although my Russian friends were very worried about a possible return to Communism).
Apparently, though, I found more humor in the film's situations than I really should have, considering it was based on fact. I regret that this film did not get broader press coverage, for it is as relevant to the current situation in American politics as to the Russian events it portrays.