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The Texas Chainsaw Massacre (2003)

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After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a deformed chainsaw-wielding killer and his family of equally psychopathic killers.

Director:

Marcus Nispel
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1,693 ( 65)
4 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jessica Biel ... Erin
Jonathan Tucker ... Morgan
Erica Leerhsen ... Pepper
Mike Vogel ... Andy
Eric Balfour ... Kemper
Andrew Bryniarski ... Thomas Hewitt (Leatherface)
R. Lee Ermey ... Sheriff Hoyt
David Dorfman ... Jedidiah
Lauren German ... Teenage Girl
Terrence Evans Terrence Evans ... Old Monty
Marietta Marich Marietta Marich ... Luda May
Heather Kafka ... Henrietta
Kathy Lamkin ... Tea Lady in Trailer
Brad Leland ... Big Rig Bob
Mamie Meek ... Clerk
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Storyline

Driving through the backwoods of Texas, five youths pick up a traumatized hitchhiker, who shoots herself in their van. Shaken by the suicide, the group seeks help from the locals, but their situation becomes even more surreal when they knock on the door of a remote homestead. It's quickly apparent the residents are a family of inbred psychopaths, and the unlucky youths suddenly find themselves running for their lives. In hot pursuit is a disfigured, chainsaw-wielding cannibal known as Leatherface. Written by Love Hewitt

Plot Summary | Plot Synopsis

Taglines:

Inspired by a True Story See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong horror violence/gore, language and drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

17 October 2003 (USA) See more »

Also Known As:

La masacre de Texas See more »

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Box Office

Budget:

$9,200,000 (estimated)

Opening Weekend USA:

$28,094,014, 19 October 2003, Wide Release

Gross USA:

$80,571,655

Cumulative Worldwide Gross:

$26,500,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In the original script, the character Jedidiah was going to wear a Felix the Cat T-shirt throughout the movie. This was later scrapped because the copyright holders of Felix the Cat wouldn't allow it. However, the novelization of the movie features the character wearing the shirt. Also, Jedidiah was going to be killed by Leatherface by slicing his chainsaw through his back because he let Erin and Morgan go. This was later scrapped because the filmmakers thought it was too intense. See more »

Goofs

Before Leatherface starts to attack Erin and Pepper in the van, Pepper enters the van and does not shut the door. When she exits the van to get away from Leatherface, she has to open the door to get out. See more »

Quotes

[first lines]
Narrator: The film which you are about to see is an account of the tragedy which befell a group of 5 youths. It is all the more tragic in that they were young. But had they lived very, very long lives, they could not have expected, nor would they have wished to see as much of the mad and macabre as they were to see that day. For them, an idyllic summer afternoon became a nightmare. For 30 years, the files collected dust in the cold-cases divison of the Travis County Police Department. Over ...
[...]
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Connections

References Friday the 13th Part VII: The New Blood (1988) See more »

Soundtracks

Suffocate
(uncredited)
Performed by Motograter
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Frequently Asked Questions

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User Reviews

 
Surprisingly good remake.
29 September 2005 | by EikonoklastSee all my reviews

The horror/sci-fi movie critic Richard Scheib coined the term "Backwoods Brutality" to describe the slew of low-budget movies that emerged in the 1970s which had as their main theme the violent and abrupt destruction of middle-class serenity. The concept has occasionally found expression outside of the horror genre (Straw Dogs, Deliverance), but since Wes Craven's Last House on the Left (1972), it has been a mainstay of the horror genre. Even thirty years later, the basic idea continues to be remade and re-interpreted.

In my view, the original Texas Chainsaw Massacre (1974) is the most successful exponent of the genre. As it often is in the American variations of this genre, the TCM takes the so-called blue state/red state dichotomy to a grotesque extreme: the backroads of the Deep South is another country and its inhabitants exhibit uncontained contempt for every unsuspecting wayfarer. Its use of tension, which is meticulously established in the movie's first 45 minutes, and release -- the last 45 minutes -- is almost elegant in its simplicity. Throughout, violence is used in sparing and sudden bursts until the adrenaline-fueled final act, during which it is mercilessly sustained.

With some minor qualifications, this description also fits Marcus Nispel's 2003 remake. Here the enlarged budget and technical expertise have worked both for and against the film. On the one hand, a variety of new elements have been added to the story. Some, like the mysterious little boy or the ending, are so-so, while others, like Leatherface's skin mask or the "extended family," are effective. On the other hand, the professionalism and attention to detail demonstrated by Nispel and Daniel Pearl (whose cinematography here is magnificent) on down to those responsible for filming locations and set detail, is consistently impressive.

So the basic "tension-release" framework has been lifted from the original but instead of improving on it the filmmakers have saddled it with characters, situations, drama, and violence. (We learn from the DVD extras, happily, that some "tender moments" were left on the cutting room floor.) I give it a 7 because ultimately I think it works as a horror movie on its own terms -- in fact, I don't think a better American horror movie has been made since 2000 -- and Nispel/Kosar deserve credit attempting to revise the concept in minor ways for fans of the franchise. On the balance, however, the original's low-budget guerilla-like realism as well as some of its visceral power has been compromised.

Of note, finally, is the performance of Jessica Biel. Having earned her acting chops on the Christian TV show/cheesefest, Seventh Heaven, Biel has as of late found a niche playing physically tough, but likable and intelligent characters. She's quite excellent here; as it was for the original TCM's Marilyn Burns, Biel's performance is exhilarating and intense -- a kind of endurance test. But one easily believes she has the acuity and toughness to survive the ordeal.


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