A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
A European family who plan on escaping to Australia, seem caught up in their daily routine, only troubled by minor incidents. However, behind their apparent calm and repetitive existence, they are actually planning something sinister.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
In an undefined time, the environment has been totally destroyed and now the water is contaminated and the animals have been burned. Georges Laurent travels with her wife Anne Laurent, their teenage daughter Eva and their son Ben from the city to their cabin in the countryside. On the arrival, they find that intruders have broken in the house, and one stranger kills George. Anne, Eva and Ben wander through the village asking for shelter and supplies for their acquaintances, but they refuse to help them. They reach an abandoned barn and spend the night inside. On the next morning, they meet a teenage boy and they walk together to a train station, where they find other survivors. Together, they wait for the train expecting to go to a better place in the middle of the chaos. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This is a powerful film which not only lingered in my thoughts for days, but which gave me, and those who saw it with me, vivid nightmares. Although the story of people trying to survive in the aftermath of a disaster is nothing new, Haneke's bleak vision of an imploding society packs not only a punch but also a long, increasingly unbearable squeeze. The cinematography lends a stunning realism: night shots really look like night, the fog shots are eerily beautiful - these all conspire brilliantly to drag you further into the nightmare. Rhythmically, Haneke is masterful, and the acting - especially by Isabelle Huppert - is excellent. From start to its hair-raising, Tarkovsky-esque finish, Temps du Loup is something of a miracle, capturing our disparate natures down to the core.
10 of 18 people found this review helpful.
Was this review helpful to you?
| Report this