This film tells the true story of fraudulent Washington, D.C. journalist Stephen Glass (Christensen), who rose to meteoric heights as a young writer in his 20s, becoming a staff writer at "The New Republic" for three years (1995-1998), where 27 of his 41 published stories were either partially or completely made up. Looking for a short cut to fame, Glass concocted sources, quotes and even entire stories, but his deception did not go unnoticed forever, and eventually, his world came crumbling down...Written by
The picture that appears on the upper half of the main poster for the film, (Stephen Glass having news reporters holding microphones up to him) doesn't actually happen in the movie. See more »
When Marty sits in on the editors' meeting, Caitlin is wearing a light blue sleeveless top. When the camera cuts back to the editors sitting down and checking the paper for "comma errors", she is wearing a dark blue button-up shirt with short sleeves. See more »
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Michael Kelly went on to become editor of The Atlantic Monthly.
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This is, without a doubt, one of the best films of the current season. It is a movie that makes one think about our values, and above all, how low will some people go to get their 15 minutes worth of fame by lying, cheating and taking down the same institutions they are trying to break into.
The idea of this picture is based on actual facts, so there is nothing fabricated in it, as we are presented an ambitious man working his way up the editorial ladder. Stephen Glass, is such a person. This is a very intelligent individual who goes to extremes to write fiction and make the reader believe that what he is reading is fact. Heaven help us from the Stephen Glasses of the world.
Stephen Glass was the perfect person to be hired by the New Republic, a magazine for the elite. It is a magazine that prides itself in only running text and no pictures. Well, it would have helped the publication to have demanded photographic proof from Mr. Glass, as the receptionist clearly points out at the end.
The cast assembled by director Billy Ray for this film is flawless. The work of Hayden Christensen as Stephen Glass, and Peter Sarsgaard as Jack Lane are brilliant. This was an inspired choice as both bring to the film the right tone, complementing one another. These actors will go far, no doubt.
The ensemble cast is also very effective. Chloe Sevigny, Rosario Dawson, Hank Azaria and Steve Zahn make you believe they are the people they are supposedly playing, which, in itself, is no small accomplishment.
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