A tough ex-policeman (S.Seagal) with a gambling and alcohol problem gets offered a job as assassin of bad men. It'll rid him of all gambling debt as well as get him money and a chance of cleaning up his act and be with his daughter.
Renée Elise Goldsberry
This movie tells the story of a man who goes undercover in a hi-tech prison to find out information to help prosecute those who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $200 million stash of gold.
Don Michael Paul
Billy Ray Lansing, a former covert agent turned survivalist, discovers that the foster program he is using to help a young girl is actually a human trafficking network. Lancing heads overseas to find the girl and shut down the operation.
Archeology Professor Robert Burns is on location leading an important dig in the ancient ruins on the Far Eastern Chinese border. He accidentally discovers that the Chinese Mafia, the Tong, is using his newly discovered ancient Chinese artifacts to hide and smuggle narcotics across the border. Robert immediately tries to flee with his assistant and narrowly manages to escape the pursuing Tong but not without a heavy price. His loyal assistant is killed and he is framed with the evidence at the Chinese border by the Chinese military and U.S. Drug Enforcement Agency. He is locked up in a Chinese prison where he is guilty until proven innocent. His loving wife Maya vows to help get him out of jail. The DEA finally convinces the Chinese military that Robert may be of more help to them outside jail by leading them to the real smugglers. Once he leaves his Chinese prison cell Robert would rather enjoy his freedom back in the U.S. and keep his past behind him, but The Tong catches up to him ...Written by
Philip Steinman <email@example.com>
In a 2018 BBC News report, Rachel Grant accused Steven Seagal of sexual assault during the movie's pre-production stage. Having been cast for a role in the film, Grant met Seagal and director Michael Oblowitz for a line reading in a Bulgarian hotel suite, and when Oblowitz left the room, Grant claims Seagal pulled down her top and exposed himself. Grant was later released from the production and claims this was due to her refusal to submit to Seagal. See more »
When in the Chinese Barber Shop, the barber pulls the blind down over the door, a few seconds later, he closes it again. See more »
Where, oh, where do you begin talking about the plethora of problems with a film like this? This film is technically and artistically inept from beginning to end. It plays as if it were literally assembled out of scenes from other films and slapped together as this mess. Most of Seagal's dialogue was added in post-production because he's always speaking when he's out of frame -- an obvious sign that this thing - story and all - was basically created in the cutting room. The director uses odd transitions and focus pulls for no reason. Boring slow motion scenes are an obvious attempt to push the movie out to a full 90 minutes. Transitions are abrupt and make no sense -- all of a sudden Seagal is in the middle of a car chase that goes nowhere. Characters appear from nowhere, and lesser characters suddenly have voice-over inner monologues that make no sense. Every rule of common sense filmmaking and storytelling are completely broken. The plot makes no sense. Everytime we see the bad guys they are in the same room, at the same table, wearing the same clothes -- again, obviously shot in one day to piece this tub O' crap together in post production. The editing is choppy, the action clumsy, and the climax is a total joke. To be avoided at all costs. Surely one of the worst films made in recent memory. Seriously -- what were they thinking? Garbage.
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