The Algerian is an international political thriller about the colliding worlds of the Middle East and America. It follows Ali (Ben Youcef) across the world from Algeria to New York, Las ... See full summary »
First-time directors Andrew Yorke and Kevin Michael invite you on an experimental cinematic journey through the lives of troubled youth in troubling times. When a pregnant women is found ... See full summary »
An old flame is reignited and a new desire is awaken when Hollywood Actress Adina J. Spencer returns back to New York. Soon she is forced to face her sexual past, confront her present identity, and admit her true love.
Teen Josie tries to make sense of a frightening world in which a sleep condition blurs her dreams into waking life, and comes under the sway of her sister Samantha, whose dark web of secrets she must unravel.
When a man and woman flirt with each other at a wedding reception, the sexual tension seems spontaneous. As they break from the party to a hotel room, the flirtation turns into a night filled with passion and remorse.
Helena Bonham Carter,
Toots and May's marriage is one of Toots being dependent on his wife. Shortly after Toots and May arrive in London to visit with their grown children Bobby and Paula and their respective children, Toots falls ill and dies. Toots' death brings to the surface the underlying strain that has always existed between May and both of her two children, and the unhappy lives they have all led. Now specifically with Paula, May is disapproving of her relationship with a construction worker named Darren. Not only does May think his occupation makes him beneath Paula, he's also a married man. Darren is in an unsatisfying marriage but doesn't want to leave it if only because of his son. Even after May gets to know and like Darren, she still encourages Paula to break up with him. The issue is that May herself has fallen in love with Darren, the two who begin a sexual relationship. What will ultimately happen between May and Darren also depends on Darren, who is floundering in his own life and doesn't...Written by
When Darren and Toots are discussing cricket, the reflections of crew equipment and the camera dolly mount are visible in the glass of the sunroom windows. See more »
Oh, Darren. This cigarette's making my chest all congested. I can't breathe.
What would happen if you did breathe?
I'd say, would you... would it be too much trouble... spare rooms... would you come to the spare rooms with me... would you...
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A fierce, shockingly intelligent piece of work from the gifted British writer Hanif Kureishi who wrote "My Beautiful Laundrette", (this is the best thing he's done since then). It's about intelligent people whose lives don't add up to much. They've squandered what they have been given and are largely empty vessels. The only character on screen who is alive is the mother of the title yet she feels dead inside until a rough handyman shows her some affection and awakens her to the joys of sex. He has his own motives but Kureishi treats him with a good deal of compassion. This is a film in which people and places feel familiar, where characters exist beyond the confines of the screen. In some respects it's a bit like "Sunday, Bloody Sunday" but it's an altogether tougher piece of work. The director, Roger Michell, allows scenes to build instinctively. And it is beautifully acted.
As the eponymous mother Anne Reid betrays her wasted life in every gesture. There is not a false note in her extraordinarily lived-in performance, and that very fine actor Daniel Craig displays shadings to his character than even Kureishi hasn't tapped into. If the film strikes a false note it is, perhaps, in the character of the talentless daughter, caught up in a messy affair with the man her mother seduces (or should that be the other way round) and even messier life, but she is so well played by Cathryn Bradshaw she hooks you in nevertheless. The film is also extremely beautiful to look at (DoP Alwin Kuchler) and must rank, unhesitatingly, as the best British film of the year.
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