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A Prayer for Hetman Mazepa (2002)

Molitva za getmana Mazepu (original title)
A Prayer for Hetman Mazepa unfolds during an interesting era in the history of Eastern Europe when Russia, under Peter the Great, and Sweden, under King Charles XII, struggled for power; the Ukraine was the pawn in the middle.

Director:

Yuri Ilyenko

Writer:

Yuri Ilyenko
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Cast

Credited cast:
Bogdan Stupka ... Hetman Mazepa
Lyudmila Efimenko ... Lyubov Kochubei
Nikita Dzhigurda ... King Charles XII
Vyacheslav Dovzhenko Vyacheslav Dovzhenko ... Tsar Peter I
Viktor Demertash ... General Kochubei
Ekaterina Lisovenko Ekaterina Lisovenko ... Motrya Kochubei
Filipp Ilyenko ... Young Mazepa
Sergey Marchenko ... Older Mazepa
Rest of cast listed alphabetically:
Viktor Kruchina ... general Lewenhaupt
Marina Petrenko Marina Petrenko ... Luba
Oleg Tytarenko Oleg Tytarenko
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Storyline

A Prayer for Hetman Mazepa unfolds during an interesting era in the history of Eastern Europe when Russia, under Peter the Great, and Sweden, under King Charles XII, struggled for power; the Ukraine was the pawn in the middle.

Plot Summary | Add Synopsis

Genres:

Drama | History

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Details

Country:

Ukraine

Language:

Ukrainian | Russian

Release Date:

15 February 2002 (Germany) See more »

Also Known As:

A Prayer for Hetman Mazepa See more »

Filming Locations:

Kiev, Ukraine

Company Credits

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Technical Specs

Runtime:

Color:

Color
See full technical specs »

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User Reviews

 
Ukrainian history as a phantasmagoria dream
29 October 2004 | by hajdalSee all my reviews

The film seems to me to be an interpretation of Hetman Ivan Mazepa and Ukrainian history of his time as seen in a phantasmagoria dream in the mind of the director Ilyenko. There is much in the film that I liked and much that I admired without necessarily liking it.

Much of the cinematography was very effective, some of the symbolism, many images, the occasional humor. There were many very striking parts, in particular the vertep sequence, the devastation of Baturyn, the representation of Peter I. The other strength is the image of Ukraine which is represented in many ways – in the women that populate the screen, or the map of Europe with Ukraine as a woman that gets raped by the powerful men around her, and other symbols. I think that the combination of this image of Ukraine as a victim of violence and the image of Mazepa who attempted to do something for this country that was probably doomed to failure are the main messages that I got from the film.

On the other hand, the film is simply too long. It would benefit from editing and pruning, which could enhance its effectiveness both as a piece of art and as a medium to convey its message. It lacked a certain sense of economy particularly in the last half-hour. Some of the sexual and scatological imagery (especially that involving Peter) seems to me artistically valid and effective, but some seems gratuitous and by its overuse weakens the point it tries to make.


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