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Cremaster 3 (2002)

Unrated | | Drama, Fantasy | 25 May 2003 (Iceland)
Trailer
3:57 | Trailer
The third film of a five-part art-installation epic -- it's part-zombie movie, part-gangster film.

Director:

Matthew Barney

Writer:

Matthew Barney

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Cast

Credited cast:
Richard Serra ... Hiram Abiff
Matthew Barney ... The Entered Apprentice
Aimee Mullins ... The Entered Novitiate / Oonagh MacCumhail
Paul Brady Paul Brady ... Cloud Club Maitre D'
Terry Gillespie Terry Gillespie ... Cloud Club Barman
Mike Bocchetti ... Grand Master
David Edward Campbell David Edward Campbell ... Grand Master
James Pantoleon James Pantoleon ... Grand Master
Jim Tooey ... Grand Master
Nesrin Karanouh Nesrin Karanouh ... Gary Gilmore
Peter Donald Badalamenti II ... Fionn MacCumhail (as Peter D. Badalamenti)
The Mighty Biggs The Mighty Biggs ... Fingal
Rest of cast listed alphabetically:
Heather Coker Heather Coker ... Dancer
James Drescher James Drescher ... Lead Singer - Murphy's Law
Todd Christian Hunter ... Mason (as Todd Hunter)
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Storyline

Barney plays the Entered Apprentice and his opponents include the Order of the Rainbow for Girls (who look a lot like the Rockettes), Agnostic Front and Murphy's Law (two New York Hardcore bands), Aimee Mullins, and Richard Serra. Molten Vaseline, dental surgery, a demolition derby by vintage Chrysler Imperial New Yorker cars and a gorgeous creature who is half-cheetah/half woman all figure in this latest edition of Matthew Barney's fever dream. Much of the action takes place in two New York landmarks, the Chrysler Building and the Guggenheim Museum, as well as at the Saratoga Racetrack (upstate NY), the Giant's Causeway (Ireland) and Fingal's cave (the Scottish Isle of Staffa). Written by Sujit R. Varma

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy

Certificate:

Unrated | See all certifications »
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Details

Official Sites:

The Cremaster Cycle

Country:

USA

Language:

English | Irish | Hebrew

Release Date:

25 May 2003 (Iceland) See more »

Also Known As:

Кремастер 3 See more »

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Box Office

Opening Weekend USA:

$9,787, 23 May 2010

Gross USA:

$120,308
See more on IMDbPro »

Company Credits

Production Co:

Glacier Field LLC See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
See full technical specs »
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Did You Know?

Goofs

After the teeth have begun to exit the Apprentice's prolapsed intestine, there is an overhead shot of the hitmen standing around the Apprentice on the dentist's chair. The view of the intestine is slightly blocked by the back of one of the hitmen, but as he shifts from side to side, the teeth are nowhere to be seen. See more »

Connections

Featured in Bloodworks: The Deformities of Gabe Bartalos (2014) See more »

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User Reviews

Can't say I understood, but it's been haunting me
20 October 2003 | by cecilparksSee all my reviews

When I got out of the theater after seeing this movie, I was stuck with one major question: how does one get the financing to make such a movie? How do you sell a movie so unusual to investors?

I must admit I desperately wanted this movie to make sense. I wanted the mason to have a legitimate reason to fill an elevator with concrete, and I wanted this reason explained later on in the movie, but I could tell the answer would never come. I know my expectations were conditioned by years of conventional cinema and storytelling. For this reason alone, Cremaster was worth watching. It stirred me up, exposed me to very personal and thorough symbolism, and made no apologies.

This movie is not cinema as you've come to know it, it's performance art caught on film. I've heard that the artist explains a lot of his symbolism on his website but I'm not sure I want to know, at least for now. I'd rather let the images simmer in my mind for a few weeks and let meaning bubble up. For now, three days after seeing it, I'd say the movie is basically about the powerlessness of the individual against the powers that be and the necessity for an artist to pander to those powers to achieve his vision. This necessity is also the struggle that drives the creative process. Lackeys and employees are numbed by their position, and some of them express themselves in a creative way to alleviate the numbness and feel alive. Whether they succeed or not is not the point.


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