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Title: All the Love You Cannes! (2002)
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Edit
Cast
| Cast overview, first billed only: | |||
| Lloyd Kaufman | ... | Himself | |
 |
Jean Pierre | ... | Himself |
| Doug Sakmann | ... | Himself / Sgt. Kabukiman N.Y.P.D | |
|
|
Yaniv Sharon | ... | Himself |
|
|
Jen Amato | ... | Herself, Tromette |
| Shelley Michelle | ... | Herself, Tromette | |
|
|
Michael Dwyer | ... | Himself |
| Tetsu Fujimura | ... | Himself, chairman, Gaga Communications (as Tetsu Fujimora) | |
|
|
Sean Philbin | ... | Himself (as Sean 'Big Tasty' Philbin) |
|
|
Scott W. McKinlay | ... | Himself (as Scott McKinlay) |
| John Stossel | ... | Himself | |
| Smokey Miles | ... | Himself (as Count Smokula) | |
|
|
Arban Ornelas | ... | Herself |
|
|
Bebe | ... | Herself, Tromette |
| Edouard Baer | ... | Himself | |
Edit
Plot Summary
|
Add Synopsis
Storyline
Troma, an off the wall film studio, journeys to the Cannes Film Festival to sell their films to potential distributors.
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Details
Country:
USALanguage:
EnglishRelease Date:
16 May 2002 (France) See more »Also Known As:
All the Love You Cannes: An Indie's Guide to the Cannes Film Festival See more »Filming Locations:
Cannes, Alpes-Maritimes, FranceCompany Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
MonoColor:
Color
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Written by Smokey Miles (as Count Smokula)
Performed by Smokey Miles (as Count Smokula)
See more »
Did You Know?
Soundtracks
Edouard BaerWritten by Smokey Miles (as Count Smokula)
Performed by Smokey Miles (as Count Smokula)
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All the Love You Cannes was a very entertaining documentary. I am a new Troma fan and a lover of independent movies, especially those in the horror genre. I recently attended Dragoncon in Atlanta,GA and met Lloyd Kaufman who was very nice.
The Troma team use some original techniques in trying to get the Troma name out there in this doc. It seems that while Kaufman has a good head on his shoulders, some of his employees(particularly one obnoxious fellow) do not. The doc shows the struggle of a small studio fighting to get attention away from the majors.
Particularly the theme of breaking the monopoly that the major studios have on not only the Cannes film festival but the business in general is always prevalent in the doc. If there's one educational thing about this film, it is that most "independent" movies are not that independent at all. A film that is truly independent will have to fight to be seen, and tactics out of the norm may have to be used.