Since 1965 bitter hatred and animosity has reigned between two families, namely that of Indrasen's and the Reddys, which results in the death of Indrasen's dad, and his two uncles, one of ...
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Since 1965 bitter hatred and animosity has reigned between two families, namely that of Indrasen's and the Reddys, which results in the death of Indrasen's dad, and his two uncles, one of whom was killed by none other than his very own newly wedded wife from the Reddy family. Veer Shiva is arrested, found guilty and imprisoned. When he is discharged, he challenges Indrasen and gets killed. His five sons swear on his funeral pyre to avenge his death. Then their sister, Snehlata, returns from the U.S., is attracted to Indrasen and wants to marry him, much to the displeasure of her brothers, especially Veer Shankar, who would rather kill his son than be obliged to Indrasen for saving his life. While negotiating with the Reddys for some land to build a water reservoir, Indrasen ends up forfeiting his property, estate, and also making a commitment to marry Snehlata. On the day of the wedding Snehlata goes to the temple for prayers, and it is there that she it told that Indrasen has gone on...Written by
Choreography and songs are great, comedy is abysmal.
The choreography and songs make the film, the story is OK, and the comedy sequences have a high cringe factor since they are so bad and bring the film to a screeching halt. Had it not been for the "comedy" sequences, I would have probably given the film a 7 or 8 instead of a 6. Indra also did not have the look and feel of a film that was made in 2002 since the color and film quality did not have the crispness and vibrance that has been so characteristic of so many quality Indian films within the last four to five years. Chiranjeevi is great in this film, has terrific range, and his performance alone, besides the choreography and songs, is reason to watch this movie. If you fast forward some of the comedy sequences, you will not have missed anything since they add nothing to the rest of the story.
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