Family man Phil Weston, a lifelong victim of his father's competitive nature, takes on the coaching duties of a kids' soccer team, and soon finds that he's also taking on his father's dysfunctional way of relating.
Buddy was a baby in an orphanage who stowed away in Santa's sack and ended up at the North Pole. Later, as an adult human who happened to be raised by elves, Santa allows him to go to New York City to find his birth father, Walter Hobbs. Hobbs, on Santa's naughty list for being a heartless jerk, had no idea that Buddy was even born. Buddy, meanwhile, experiences the delights of New York City (and human culture) as only an elf can. When Walter's relationship with Buddy interferes with his job, he is forced to reevaluate his priorities.Written by
Ken Miller <firstname.lastname@example.org>
The scene after Buddy hugs the raccoon and exits the forest to walk down a paved forest road was shot on Paradise Valley Road in Squamish BC. The crew was in the area randomly searching for a suitable location and were found trespassing on private property just as they finished shooting the scene. See more »
The trucks on the skateboard that Santa gives Michael are facing the same way. It would be impossible to turn like that; a skateboard is put together with the trucks facing opposite each other. See more »
Oh, hello. You're, uh, you're probably here about the story.
[the pages flip to show Papa Elf talking to the camera]
Elves love to tell stories. I-I'll bet you didn't know that about elves. There's, uh, probably a lot of things you didn't know about elves. Another, another interesting, uh, elfism, uh, there are only three jobs available to an elf. The first is making shoes at night while, you know, while the old cobbler sleeps.
[...] See more »
Near the end of the credits, the original score from the film plays over in the background, and then the last one thing showing was the title of the film. See more »
Unexpected out of nowhere against all odds classic
This was my 4th viewing and now ready to review.
The story is insane. This film should not have worked. But almost as a tribute to the X-Mas miracles it tries to riff off, it is an astonishingly entertaining film.
Behind the camera Favreau, Mr Money Shot, who has quietly without fanfare turned into one of the hottest directors in Hollywood history. In front of the camera Farell who I usually don't care for but may just give the performance of his career here. A script to die for. Probably the best use of Zoey D's looks in her career to date.
Way under rated and unappreciated.
As in my other reviews, most "recent" X-Mas films (since about 2000) are Canadian B-movies shot on a budget which would barely cover a reno on THIS OLD HOUSE What an unexpected treat See it
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