United Press International journalist Will Bloom and his French freelance photojournalist wife Josephine Bloom, who is pregnant with their first child, leave their Paris base to return to Will's hometown of Ashton, Alabama on the news that his father, Edward Bloom, stricken with cancer, will soon die, he being taken off chemotherapy treatment. Although connected indirectly through Will's mother/Edward's wife, Sandra Bloom, Will has been estranged from his father for three years since his and Josephine's wedding. Will's issue with his father is the fanciful tales Edward has told of his life all his life, not only to Will but the whole world. As a child when Edward was largely absent as a traveling salesman, Will believed those stories, but now realizes that he does not know his father, who, as he continues to tell these stories, he will never get to know unless Edward comes clean with the truth before he dies. On the brink of his own family life beginning, Will does not want to be the ...Written by
The two portraits on the walls in the bank scene are actually of the founders of Bishop-Parker Furniture Co., Montgomery, Alabama. Several props were purchased there. The buyer noticed the portraits and thought they would pass as old bankers. See more »
When Edward is picked up by the scary tree in the woods, the key to the city falls to the ground. In a close-up, the key is still around his neck. Returning to the long shot, the key is again on the ground. See more »
Young Ed Bloom:
There are some fish that cannot be caught. It's not that they are faster or stronger than other fish, they're just touched by something extra.
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I often find that in order to be captivating, a film these days needs to be stressfully suspenseful or have a complicated story line. This film had neither, and yet I found myself hoping it wouldn't end while at the same time, anxiously awaiting its conclusion. I have to admit, I was distrustful of Burton as many of his more recent films have had less-than-satisfying conclusions. Nonetheless, I went to see Big Fish (3 days before its release in Canada) with no expectations and was astounded. This movie is an absolute treat for our hearts, ears and especially our eyes with each cartoon/fantasy-like scene painted with Tim Burton's reliable brilliance and magical touch. Ewan McGregor is pure sunshine and Albert Finney gives one of the greatest performances of the year- he *is* Big Fish. But I suppose that when you strip away the beauty, the doll-house sets and all the abracadabra of cinematography and modern day technology, all you have is a very simple story, and therein lies the heart of this film; that one can create their own legacy, "the story of my life." Not through either extreme of extraordinary adventure or unbelievable lies, but through the art of storytelling- and THAT is what this film is about. It is through our *stories* that we are immortal.
Go see this movie, bring the kids, bring your date, bring your parents! It is for everyone...everyone who appreciates a visually and emotionally beautiful irregular story about a regular person's life.
***** 5 stars!!
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