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Big Fish (2003)

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A frustrated son tries to determine the fact from fiction in his dying father's life.

Director:

Tim Burton

Writers:

Daniel Wallace (novel), John August (screenplay)
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Popularity
1,328 ( 3)
Nominated for 1 Oscar. Another 68 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ewan McGregor ... Ed Bloom - Young
Albert Finney ... Ed Bloom - Senior
Billy Crudup ... Will Bloom
Jessica Lange ... Sandra Bloom - Senior
Helena Bonham Carter ... Jenny - Young / Jenny - Senior / The Witch
Alison Lohman ... Sandra Bloom - Young
Robert Guillaume ... Dr. Bennett - Senior
Marion Cotillard ... Josephine Bloom
Matthew McGrory ... Karl the Giant
David Denman ... Don Price - Age 18-22
Missi Pyle ... Mildred
Loudon Wainwright III ... Beamen (as Loudon Wainwright)
Ada Tai ... Ping
Arlene Tai ... Jing
Steve Buscemi ... Norther Winslow
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Storyline

United Press International journalist Will Bloom and his French freelance photojournalist wife Josephine Bloom, who is pregnant with their first child, leave their Paris base to return to Will's hometown of Ashton, Alabama on the news that his father, Edward Bloom, stricken with cancer, will soon die, he being taken off chemotherapy treatment. Although connected indirectly through Will's mother/Edward's wife, Sandra Bloom, Will has been estranged from his father for three years since his and Josephine's wedding. Will's issue with his father is the fanciful tales Edward has told of his life all his life, not only to Will but the whole world. As a child when Edward was largely absent as a traveling salesman, Will believed those stories, but now realizes that he does not know his father, who, as he continues to tell these stories, he will never get to know unless Edward comes clean with the truth before he dies. On the brink of his own family life beginning, Will does not want to be the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

An adventure as big as life itself.


Motion Picture Rating (MPAA)

Rated PG-13 for a fight scene, some images of nudity and a suggestive reference | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Sony Pictures

Country:

USA

Language:

English | Cantonese

Release Date:

9 January 2004 (USA) See more »

Also Known As:

El gran pez See more »

Filming Locations:

USA See more »

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend USA:

$207,377, 14 December 2003, Limited Release

Gross USA:

$66,257,002, 14 March 2004

Cumulative Worldwide Gross:

$122,919,055
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS (8 channels)

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Ewan McGregor was cast as Young Ed Bloom when producers noticed the striking similarity between him and pictures of a young Albert Finney, who plays Senior Ed Bloom. See more »

Goofs

While playing football in Ashton, Edward Bloom is running with the ball when two players from the opposing team dive to try to tackle him, and dive off screen. As the camera continues to reveal more of the field, the players are nowhere to be seen. They should have still been on the ground where they had fallen. See more »

Quotes

[first lines]
Young Ed Bloom: There are some fish that cannot be caught. It's not that they are faster or stronger than other fish, they're just touched by something extra.
See more »

Crazy Credits

The Columbia logo runs in reverse. See more »

Connections

Featured in Troldspejlet: Episode #32.4 (2004) See more »

Soundtracks

Everyday
Written by Buddy Holly and Norman Petty
Performed by Buddy Holly
Courtesy of MCA Records
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

Movie Magic
3 February 2004 | by PlanecrazyIkarusSee all my reviews

Every other year you get a movie that oozes magic and charm. Think "Chocolat". Think "Amelie". Think "What dreams may come". Perhaps even, "Being John Malkovich". And this year, it's time to think big... "Big Fish", to be precise. All four of these movies have some things in common. Merely describing the premise is not nearly enough to do justice to the mood of the film. And the mood, the emotional reaction of the audience, is in many ways much more important than the actual content. Still, there's no way around it in a proper review: We meet a disillusioned young man and his father, a charming old guy who knows exactly how to tell stories to fascinate first-time listeners and children. Unfortunately, there's barely any of those left, as he retold his magical stories once too often. When his health and life are beginning to fade away, his son wants to finally learn the truth about his father. Meanwhile, we hear his life story, as he tells it... Tim Burton is probably best-known for visual eye candy movies. Few directors can compete with the imagination he's shown in movies like Batman, Nightmare before Christmas and Sleepy Hollow. Outside the realm of darker, more gothic visuals, Tim Burton has so far been somewhat less prolific. Planet of the Apes was an expensive embarrassment, and Ed Wood is a decidedly acquired taste. Big Fish, then, is a new direction for him. Yes, it is eye candy, or perhaps even eye H"agen Dazs. But this time, the movie has much more of a soul than his monkeyplanet. This soul is achieved by two means: a great story (or collection of stories) and great acting. If you don't believe that the story is great, watch the audience. At key moments, everyone was chuckling or laughing, at others, I heard dozens of sniffs and tissues being unpacked around me. Yes, this is heartwarming stuff that a colder, more cynical soul would call cheese. Finally, Burton has found a story worthy of his talents again. And, better yet, he did not forget to encourage his cast to act. For a case study of such failure, see Christina Ricci's completely flat performance in Sleepy Hollow. In Big Fish, the cast is so carefully selected that failure is simply not an option. Ewan McGregor (playing the father in his youth) may not have much more to do than smile, be charming and sustain a Southern US accent, but he does it brilliantly. Much more important are the performances of Albert Finney and Jessica Lange, playing the aged father and mother, respectively. And they both deliver character performances worthy of prizes.

After cheerleading so enthusiastically for this movie, perhaps it is time to take a step back and look at it from a more critical perspective. Yes, it managed to enchant the audience, but it did so the Hollywood way. Special effects and big budget feature heavily. This is in stark contrast to the seemingly much less organized and much more intuitional charm of Amelie. This movie is also much more comfy about its pace - it takes its time just like a good storyteller would, but perhaps leaving behind the five-second-attention-span MTV generation kids in the process. On the other hand, I am tempted to say that its biggest vice is that there just isn't enough of it. Given the episodal structure of this movie, I can almost imagine what it would have felt like as TV series, or multi-part TV movie. I am not sure whether to wish for this to happen or shudder at the thought of "Big Fish: The Animated Series" or some such atrocity. Every story told in this movie is perfect, and a series of such perfect stories would be wonderful. Yet can perfection be sustained for a large number of stories? Either way, I wonder what is going to become of Big Fish - a franchise or a single movie. It definitely is more deserving of praise, awards and viewers than any other movie released during the past six months, including LOTR-RotK.


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