7.8/10
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191 user 158 critic

The Magdalene Sisters (2002)

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Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.

Director:

Peter Mullan

Writer:

Peter Mullan
Nominated for 1 BAFTA Film Award. Another 18 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Geraldine McEwan ... Sister Bridget
Anne-Marie Duff ... Margaret
Nora-Jane Noone ... Bernadette
Dorothy Duffy ... Rose / Patricia
Eileen Walsh ... Crispina
Mary Murray ... Una
Britta Smith Britta Smith ... Katy
Frances Healy Frances Healy ... Sister Jude
Eithne McGuinness Eithne McGuinness ... Sister Clementine
Phyllis MacMahon ... Sister Augusta (as Phyllis McMahon)
Rebecca Walsh Rebecca Walsh ... Josephine
Eamonn Owens ... Eamonn
Chris Patrick-Simpson ... Brendan (as Chris Simpson)
Sean Colgan Sean Colgan ... Seamus
Daniel Costello Daniel Costello ... Father Fitzroy
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Storyline

A thoroughly mind-provoking film about 3 young women who, under tragic circumstances, see themselves cast away to a Magdalene Asylum for young women in 1964. One of many like institutions, the asylums are run like prisons and young girls are forced to do workhouse laundry and hard labor. The asylum, one of many that existed in theocratic Catholic Ireland, is for supposedly 'fallen' women. Here, young girls are imprisoned indefinitely and endure agonizing punishments and a long, harsh working system which leaves them physically drained and mentally damaged. As the girls bond together, it soon becomes clear that the only way out of the Magdalene convent is to escape, but with twisted Sister Bridget running the wing, any chances seem limited... Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

In a place that defied belief their only hope was each other. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for violence/cruelty, nudity, sexual content and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Ireland | UK

Language:

English | Latin

Release Date:

29 August 2003 (USA) See more »

Also Known As:

Die unbarmherzigen Schwestern See more »

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Box Office

Opening Weekend:

£88,315 (United Kingdom), 1 November 2002, Limited Release

Opening Weekend USA:

$84,553, 3 August 2003, Limited Release

Gross USA:

$4,890,878, 23 November 2003

Cumulative Worldwide Gross:

$15,722,258, 6 November 2003
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Peter Mullan has said that the film was initially made because victims of Magdalene Asylums had no closure. They hadn't received any recognition, compensation, or apology. Many remained lifelong devout Catholics. See more »

Goofs

In the beginning, a man plays a Taylor acoustic guitar. Taylor Guitars was established in 1974. See more »

Quotes

[first lines]
Margaret: Well, what is it you're wanting to show me? Come on, Kevin, what's the secret?
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Crazy Credits

Special thanks to ... all at the Glasgow Film Office. See more »

Connections

Referenced in Jack Taylor: The Magdalen Martyrs (2011) See more »

Soundtracks

Amazing Grace
(uncredited)
Written by John Newton
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User Reviews

 
The other, other kind of terrorism.
1 December 2004 | by Anonymous_MaxineSee all my reviews

I inadvertently found myself watching a whole string of movies the other day about people being tortured or torturing themselves, without even looking for movies like that. I saw The Magdalene Sisters, Osama, and that IMAX film Everest, all in the same day, and was surprised at their similarities, particularly between the first two. The Magdalene Sisters and Osama are strikingly similar in that they are both about religious terrorism, specifically centered around women. Osama was a look at how the Taliban keeps women under tight control, not allowing them even the tiniest freedom (indeed, women could be arrested and severely punished for such crimes as walking alone in public or speaking to a man, even for such dangerous statements as, 'My father is sick.'), while The Magdalene Sisters is about the Catholic Church in Ireland in disturbingly recent times, severely punishing women as a result of what appears to be the Church's frothing and highly irrational fear of sex.

The film focuses on the plights of three women in particular, who have all committed 'crimes' of varying nature but who are all punished by being sent to the Magdalene laundry for an indefinite period of time. One girl, Rose, commits the greatest crime having a child out of wedlock, which neither of her parents will even look at. Interestingly, she had the child because an abortion would have been a sin. Bernadette makes the mortal mistake of flirting with boys outside the orphanage she lived in, and Margaret is raped at a family gathering by a cousin, only to be shipped off herself when she reports it to family members.

At the Magdalene laundry, the girls are subjected to psychological abuse and endless physical toil, all under the old theory that it will cleanse their souls. Some of the women that the three girls in question encounter as they enter the laundry have been there for decades, and they eventually figure out that the only way that they are ever going to get out of there is to escape. Bernadette is especially aware of this, and makes increasing efforts to escape, for which she is brutally punished.

I am genuinely curious to know what path of logic leads people to believe that such practices in the name of religion can have any beneficial value. The Taliban has taken religious torture to its extreme, debasing themselves and their religion by performing unbelievably inhuman acts in the name of their God, and it appears that, while certainly not on the same level of cruelty, the Catholic Church has performed similar crimes against humanity. That the Catholic Church in Ireland promptly condemned the film is not surprising, but if such things are being committed under its name (and indeed continued being committed well into the late 1990s), I should think that the Church would at least allow the film to be shown so that people would be aware of such abuses, which tarnish the reputation of the Church. I believe that it would have been possible for the Church to defend its own validity while at the same time acknowledging abuses committed in its name, especially if the accusations of cruelty were untrue, although in this case they were not. Running, however, only makes you look guilty.

The Magdalene laundry is presided over by a nun who is simply evil. She is an elderly lady and generally soft-spoken, but this woman makes the wicked witch of the west look like a prancing schoolgirl. The viciousness of the rest of the Sisters of Mercy radiates off of this woman like some kind of sinister force, delicately but successfully walking the line between illustrating the harshness of a brutal religious regime and creating a movie monster. Her character is human, but she's not far from being a monster.

It's disheartening to see the things that people do in the name of religion, especially when the crimes are something as little as behaving like a normal person. There are natural and perfectly healthy behaviors that unfortunately are violations of arbitrary religious laws, which are subsequently punished with outlandish punishments like those seen in this movie. Religion is thrown into reverse, causing pain and suffering rather than offering an escape from it, shown in a modern setting that is so backwards that it could just as easily have taken place in the 1600s.


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