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The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)

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The story of America as seen through the eyes of the former Secretary of Defense under President John F. Kennedy and President Lyndon Johnson, Robert McNamara.

Director:

Errol Morris
Won 1 Oscar. Another 11 wins & 16 nominations. See more awards »

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Cast

Cast overview:
Robert McNamara ... Himself
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Storyline

Former corporate whiz kid Robert McNamara was the controversial Secretary of Defense in the Kennedy and Johnson administrations, during the height of the Vietnam War. This Academy Award-winning documentary, augmented by archival footage, gives the conflicted McNamara a platform on which he attempts to confront his and the U.S. government's actions in Southeast Asia in light of the horrors of modern warfare, the end of ideology and the punitive judgment of history. Written by Jwelch5742

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Motion Picture Rating (MPAA)

Rated PG-13 for images and thematic issues of war and destruction | See all certifications »

Parents Guide:

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Details

Country:

USA

Language:

English

Release Date:

5 March 2004 (USA) See more »

Also Known As:

The Fog of War See more »

Filming Locations:

California, USA See more »

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Box Office

Opening Weekend USA:

$41,449, 21 December 2003, Limited Release

Gross USA:

$4,193,943, 16 May 2004
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

McNamara originally agreed to an hour-long interview for the Errol Morris PBS series, First Person (2000). The interview lasted eight hours and McNamara stayed for a second day of interviewing. He also returned months later, for two more days of interviews. Morris found himself with more than enough material for a feature-length documentary. See more »

Quotes

[first lines]
[Per contact at the Errol Morris Foundation, the date is 8/5/1964, and the clip is from Press Conference on The Gulf of Tonkin Incident, National Archives #111-LC-48220]
Robert McNamara: [archival footage from the press conference on the Gulf of Tonkin Incident, 5 August 1964] Is this chart at a reasonable height for you? Or do you want it lowered? All right. Earlier tonight - first let me ask the TV, are you ready? All set?
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Crazy Credits

Director of Officeland Security: Jackpot Junior See more »

Connections

Referenced in At the Movies: Venice Film Festival 2013 (2013) See more »

Soundtracks

Data
(uncredited)
by Philip Glass
Ocean Mountain Music
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User Reviews

The parallel to the war in Iraq is painful.
3 March 2004 | by jdesandoSee all my reviews

Errol Morris's `Fog of War' may be the best documentary that fuses a controversial historical figure (in this case, Robert McNamara) with his grandest moment (The Vietnam War). `Grand' is ironic because 58,000 dead soldiers cannot be `grand,' the US exit was hardly so, and McNamara's ambivalence about the event and his responsibility give the film an authenticity and humanity that last year was shared only with `Capturing the Friedmans.'

Morris, letting McNamara narrate almost the entire film, cuts between the fit 85 year old Aspen skier recollecting the ‘60's and 70's and footage from that time when he served as secretary of defense under Kennedy and Johnson. That he is a Harvard--educated, clean-cut, brainy bureaucrat easily changing from leading Ford Motor Company to the Pentagon is obvious. That he allowed the US to go deeper into the war than he personally believed it should is a possible inference from his carefully-crafted dialogue about `responsibility.'

He has no problem admitting his major role in firebombing Tokyo in WWII, killing 100,000 Japanese in one night; his boss, General Curtis LeMay, would have had it no other way. But when he almost wistfully speculates that President Kennedy would not have let the war escalate, it is clear what McNamara also wished. But why he didn't criticize the war after he left the Johnson administration he let's us speculate, hinting only that he had information we don't.

Throughout the interview (Morris now and then is heard asking questions, especially about McNamara's responsibility), Morris keeps him in the right side of the frame, off center as a metaphor for the confusing war and this secretary's ambivalent role. Like any top-rate documentary, applications to human nature and current events abound. The cool necessary to operate under murderous circumstances is reflected in this wonk's slick hair, rimless glasses, and self-serving dialogue. He is animated when he most seems to have missed the point and embraces the romance of evil, which one of his `lessons' says may be necessary to have in order to do good. The parallel to the war in Iraq is painful. He warns in his first `lesson' we must learn from our mistakes. The inference for us could be, if Vietnam was a great mistake, why are we forgetting it again.

For the former secretary, Ernie Pyle's words could hold special meaning: `War makes strange giant creatures out of us little routine men who inhabit the earth.'


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