A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukrainian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Led by John Bridger (Donald Sutherland) and Charlie Croker (Mark Wahlberg) a team is assembled for one last heist to steal $35 million in gold bars from a heavily guarded safe in Venice, Italy. After successfully pulling off the heist, a team member, Steve (Edward Norton), driven by greed and jealousy, arranges to take the gold for himself and eliminate the remaining members of the group. Thinking the team dead, he returns to L.A. with the gold. Charlie and the survivors of this betrayal follow Steve L.A. to exact revenge against the traitor. Charlie enlists the help of John Bridger's daughter, Stella (Charlize Theron) - a professional safe cracker, to get revenge. With Stella and the hacking skills of Lyle (Seth Green), the explosives skills of "Left Ear" (Yasiin Bey), and the driving skills of "Handsome" Rob (Jason Statham) this new team plans and executes a daring heist that weaves through the freeways and subways of L.A.Written by
Edward Norton made it clear that his participation is a result of contractual obligation, not choice. He signed a three movie deal with Paramount, of which Primal Fear (1996), his breakthrough movie, was the first. He kept dismissing scripts for the other two, until Paramount coerced him into accepting a role in this film. Norton did not hide his misery on the set, clashing with the crew throughout it, and when the producer handed out gifts to the cast over the movie's surprisingly strong box office performance, Norton returned the gift with a note stating "Give this to someone you actually like--or someone who actually likes you." See more »
When the crew meet to get phones and IDs, Lyle rides up shakily on a yellow motorcycle and drops it to the right of the red Mini, with the front wheel pointed roughly at the right side of the Mini. In the shot showing them departing, however, the motorcycle is shown on the foreground to the left of the red Mini, and it is pointing away from the Mini. See more »
Nothing like as new and inspiring as the 1969 original
The original 1969 film offered something different. Set mostly in Turin-Italy the film is about a group of clumsy English villains who set out to grab a stash of gold bullion during transit. They find themselves up against it with both the Mafia and the Italian authorities. Much of the film is very typically British from the cast and their accents to the Austin Mini cars (red, white and blue with GB stickers on the back!).
This is one of the few films I can think of that doesn't have a happy ending but it does have the feel good factor and an excellent cliff hanger to boot. When viewed today it obviously lacks some of the refinements we have come to expect from the typical Hollywood blockbuster, some of the acting and camera shots are laughable. However 35 years on it still hold it's own and has many merits including...
Good music Lovely cars 60's Fashion Stunning backdrops Good stunts Original and plausible plot Memorable cliff hanger
A very British film with plenty of character 8/10
The new film is very different to the original movie. In fact most of the good features that the original had going for it were lost. In it's place is a blatant marketing exercise for the new BMW mini mixed in with some good but uninspiring action sequences. The new film starts in Italy but then moves to the U.S. which for me misses the point slightly. I found that the plot involving the traffic light control method used in the new film to be rather geeky and unbelievable at best (another feature that worked better in the old film).
Despite it's faults the film contains some nice action sequences and is watchable (although one viewing is more than enough).
If I hadn't already seen it all before, by itself this might be a great film. However I have and this isn't. 5/10
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