Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. An unusual relationship forms as she becomes his protégée and learns the assassin's trade.
Brazil, 1960s, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970s: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. he keeps getting swept up in the madness. All he wants to do is take pictures. 1980s: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God.Written by
Jeff Mellinger <firstname.lastname@example.org>
The director was quoted as saying that if he knew the dangers of filming the movie in a Rio favela, he wouldn't have done the movie. See more »
Whenever Tio Sam is in the apartment to sell Ze Pequeno the weapons, he inquires whether or not Ze has seen a mini Ruger, which is the same caliber of an M-16, inaccessible in Brazil. Ze shows no interest or knowledge of the Ruger, though he is shown holding up one just like it whenever Buscape is taking photos of the gang. See more »
During the end credits there is shown actual real-life footage of the real Mané Galinha, or Knockout-Ned as he is translated into in the American version of the film. This is in fact the same TV interview we see constructed in the film, and we can see that the filmmakers have copied this TV interview down to the smallest detail. See more »
The UK DVD displays the decade titles in English rather than Portuguese. See more »
I knew nothing of this film before I saw it by chance in a rare Pub open screening, but boy was I glad I got the chance to take a look. I was riveted all night - I completely ignored my friends! I thought it was an awesome re-enactment of a true story - powerful, moving, raw, real - and even funny in parts. I walked away afterwards, beaming. It's rare a great film like this is made, especially these days. I gave it ten out of ten. Please see it if you can.
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