Star race car Lightning McQueen and his pal Mater head overseas to compete in the World Grand Prix race. But the road to the championship becomes rocky as Mater gets caught up in an intriguing adventure of his own: international espionage.
Larry the Cable Guy,
The Dragon Warrior has to clash against the savage Tai Lung as China's fate hangs in the balance. However, the Dragon Warrior mantle is supposedly mistaken to be bestowed upon an obese panda who is a novice in martial arts.
While traveling to California for the dispute of the final race of the Piston Cup against The King and Chick Hicks, the famous Lightning McQueen accidentally damages the road of the small town Radiator Springs and is sentenced to repair it. Lightning McQueen has to work hard and finds friendship and love in the simple locals, changing its values during his stay in the small town and becoming a true winner.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Bob Peterson was considered the voice of Chick Hicks, and he voiced Chick Hicks in Cars 3 (2017). See more »
After Luigi finishes talking to McQueen, Red comes up to clean the cacti from the crash on the race with Doc. When Sally says that he has "missed a spot on the hood", the last piece of cacti can be seen dropping at about a metre away from McQueen. The next shots are shown from a different perspective, and the cacti is gone. See more »
Okay, here we go. Focus. Speed. I am speed. One winner, forty-two losers. I eat losers for breakfast. Breakfast? Maybe I should have had breakfast? Brekkie could be good for me. No, no, no, focus. Speed. Faster than fast, quicker than quick. I am Lightning.
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At the end, the couple that were looking for directions to the Interstate, end up all dusty and still looking for the Interstate. While credits roll, a series of short postscript scenes show the resurrection of the town, like cars are now passing the town, Flo's V8 café is full of customers, customers trying out Ramone's body art, Guido's tire shop is full, a museum of Doc Hudson's racing days opens, Sarge opens a boot camp for off-road vehicles (who have never been off-road), the reopening of the Wheel Well Motel, etc. One of them is the reopening of the Radiator Springs Drive-in Theater, where they show movies of previous Pixar productions but in a car context, like Toy Story (in the marquee it's Toy Car Story), with the actual voices of Tom Hanks and Tim Allen, Monster Trucks, Inc., with the voices of John Goodman and Billy Crystal (Goodman is worried about the Boo mobile), and A Bug's Life, with the voice of Dave Foley. As an additional in-joke, Mack the truck praises the performances of Hamm in Toy Story, the Abominable Snowplow in Monster Trucks, Inc., P.T. Flea in A Bug's Life, which are all voiced, of course, by John Ratzenberger. Mack's final comment is they're voiced by the same actor and "what kind of cut-rate production is this" to reuse the same actor. See more »
As Pixar, Blue Sky and DreamWorks continue to tick off the list of cute cuddly animals to make films about, director John Lasseter and Joe Ranft (the latter sadly and ironically died in a car crash last year) brings us a story about cars in incongruous human setting. Nine years of hard work in combining Lasseter's two great interests, cars and animation, finally gives us a satisfying end product but regrettably 'Cars' is just that. Satisfactory and utterly charmless.
The story, for one, is one of the most predictable riffs I have ever seen in an animated feature. It zooms in on an exhilarating, high-profile race for the prestigious 'Piston Cup' and the third lap offers a sense of impending doom. It is Lightning McQueen rookie at the top of his game, and voiced by the energetic Owen Wilson that races in pursuit of prestige... so much that he alienates everyone around him, even his pit crew. The race becomes a three-way tie between him and his competitors and now the final showdown will be held in Los Angeles in one week. It is on the way to L.A. that 'Cars' really starts up its engine, specifically when McQueen takes a detour across the desert-laden terrain by route 66 and gets caught for speeding by the local sheriff. He is sentenced to community service in the seedy little nowhere-town and, predictably, here the arrogant McQueen learns the true meaning of friends.
For a movie about fast-paced vehicles, 'Cars' starts slowly and keeps in this lane for far too long. One hour into the film, Lightning still has not learned the mandatory 'morals & message' lesson that you know Disney is just waiting to dish out with a wagging finger. Undoubtedtly its fatal flaw is its length: there is absolutely no need to stretch a Disney comedy across two hours. This problem escalates as the extremely safe and passive approach to humour makes its mark; soon it is clear that the film is not going to tip over into goofball or absurdist humour but remains sedated and expects us to find the mere facial expressions of the cars hilarious and they are not, because cars are too clunky and mechanical to effectively emote.
Yet it needs to be said for all its comedic shortcomings, 'Cars' remains afloat simply because it makes no pretense about being a Disney/Pixar film of a different calibre. It is obvious that it caters more to the younger audience than, say, the heavyweights Shrek, Nemo or Ice Age that are all about adult references. Only once or twice does the film sneak in a subtle racy element such as the bitch-tag at the back of the female Porsche's rear or the 'organic fuel' that the hippie-van uses. On that note, "hillbilly hell", as McQueen bitterly spits, is beautifully crafted in terms of animation. The CGI environment is crisp, fluent, lean and simply superb in capturing the well-oiled sleek machines of superstardom juxtaposed with the rusty hicky complexity of the hillbilly town. 'Cars' is possibly Pixar's greatest feat in animation, but its weakest jab at story and entertainment.
Although Paul Newman brings perfect charisma to his bitter-and-doomed-but-good-old-mentor character, none of the other cars shine. Indeed, there is a frightening lack of funny sidekicks with assigned quirks and the closest Cars gets to this is its shy firewagon truck Red. This wide-ranging mediocrity also applies to the soundtrack which is noticeably sub-par and unimaginative: either cheesy mellow 'mood' music or Sheryl Crow pop. Where's the oomph in the engine of 'Cars'? Step up, Disney, because you cannot ride on the success of Finding Nemo forever.
5 out of 10
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