Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
The story picks up four weeks after the first film, and already Bridget Jones is becoming uncomfortable in her relationship with Mark Darcy. Apart from discovering that he's a conservative voter, she has to deal with a new boss, strange contractor, and the worst vacation of her life.Written by
Hugh Grant is just a day older than Colin Firth. See more »
When Bridget stands in the window and the camera zooms out to show the London panorama, a graffiti is visible on the railway bridge but it is not there in other shots of the bridge. See more »
Ah Daniel! Your Madrid piece was outstanding. Full of insights; really original.
[Walking with Bridget]
Oh cheers Jeremy, thanks mate. Ya, I really appreciate that. Lads worked really hard on that one.
[Jeremy walks away]
Talking of which, how is Mark Darcy?
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But, oddly enough, I still liked this version of The Edge of Reason.
It's hard to put my finger on why -- because I'm not quite sure why some of the book's original plot lines were ommitted, and because I thought the Rebecca subplot was gratuitous -- but I did like it.
The first book was not-so-loosely based on Jane Austen's "Pride and Prejudice." The first movie left a lot of that in, and even included a lot of "inside jokes" for those of us who are familiar with that delightful book and the filmed version starring Colin Firth as Fitzwilliam Darcy. "The Edge of Reason" was not-so-loosely based on another Jane Austen novel, "Persuasion," but any overt Austen references are completely wiped out here.
The character of Giles Benwick is based on an Austen character named Benwick who has recently lost his fiancée, but that is the only Austen reference from the book left. It's a shame, too, because I liked that particular subplot in both Austen's "Persuasion" and Fielding's "Edge of Reason."
Given that I've complained about several aspects of this film, I'm still rather surprised that I liked it. Could it be because Bridget is still Everywoman and because Mark Darcy is still the Perfect Man (and probably because he's still played by the ever-dishy Colin Firth)?
Who knows. All I do know is that it was cute, it was funny and it was entertaining. You can't ask for much else.
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