When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
Peter Parker is an unhappy man: after two years of fighting crime as Spider-Man, his life has begun to fall apart. The girl he loves is engaged to someone else, his grades are slipping, he cannot keep any of his jobs, and on top of it, the newspaper Daily Bugle is attacking him viciously, claiming that Spider-Man is a criminal. He reaches the breaking point and gives up the crime fighter's life, once and for all. But after a failed fusion experiment, eccentric and obsessive scientist Dr. Otto Octavius is transformed into super villain Doctor Octopus, Doc Ock for short, having four long tentacles as extra hands. Peter guesses it might just be time for Spider-Man to return, but would he act upon it?Written by
Sam Raimi originally intended the film to maintain an aspect ratio of 1.85:1 like Spider-Man (2002). However, when he realized that in order to have Dr. Octopus and Spider-Man in the same shot, the frame would need to be wider in order to accommodate Dr. Octopus' mechanical arms. So Raimi upgraded the ratio to 2.39:1, but shot most of the movie in the Super 35 format. See more »
(at around 4 mins) The wrinkles on the sticker on Peter's helmet change between shots. See more »
She looks at me everyday. Mary Jane Watson. Oh boy! If she only knew how I felt about her. But she can never know. I made a choice once to live a life of responsibility. A life she can never be a part of. Who am I? I'm Spider-Man, given a job to do. And I'm Peter Parker, and I too have a job.
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The opening credits appear stuck on a series of webs, which display the events of the first film in comic-book art. See more »
An extended version of the film, titled Spiderman 2.1, was released on DVD in April 2007. It contains 8 extra minutes (for a total running time of 2:15) in 3 new, 1 alternate, and 11 extended scenes. Just over half the added material fleshes out the plot: a new scene where a friend challenges MJ about her decision to marry, an extra minute in Peter's birthday party to underscore Harry's hatred of Spiderman, an extended, more downbeat conversation with MJ afterwards (seen in some TV versions), a longer introduction of Octavius and his wife, a brief new scene where Peter in class is distracted by both his fears about Octavius's experiment and his love for MJ, and a bit more of Peter trying to talk his way into MJ's play. There is extra comedy, with more of the pizza delivery scene, a longer, completely different elevator encounter, and a brief new scene where Jameson plays at being Spidey in his office. Two extended scenes address the movie's themes more than the plot: there is over a minute more with the doctor and a bit more of Peter's conversation with Ben. Finally, there are tiny extra additions to two early action scenes, and more than a minute added to the two major Doc Oc encounters: a brief extra sequence in the first fight, and a longer one atop the train. See more »
A cut above the typical comic book movie, S-M 1 did what this type of movie is supposed to do: introduce the main characters, have 'em fight a Super Bad Guy, and then have it all end happily ever after, for the most part. In other words, for the first movie in a supposed franchise, you have to allow time for exposition of the protagonist's background, even if millions already know him from another medium.
With S-M 2, though, such an obligation isn't necessary. We've met Spidey, MJ, Aunt May, et al., and we're ready to jump into a new story. So while the first one explains why Spidey is, the second movie devotes more time to fighting the Bad Guy du Jour, Doctor Octopus.
Peter Parker (Tobey Maguire) still pines for MJ (Kirsten Dunst), from whom he steers clear despite his undying affection for her. It's for her own good, he tells himself. If we're together, my enemies will top at nothing to get at me through her, and I can't put her in that position. And so, in typical superhero fashion, he broods and broods and broods. The relentless push-and-pull between his love for MJ and his devotion to using his powers for good is a constant theme in the Spider-Man universe, and in the movies it either smolders in the background or charges with a raging fury to the forefront. Peter is given the impossible choice - true love or good deeds - and it's a choice to which, at its core, everyday people can relate; we all have exceedingly difficult choices to make throughout our lives.
And in this especially, the movies succeed. Peter Parker is supposed to be an average teen - well, except for those powers he has. He's not morally superior. He's not smarter. He's just a poor schlub who accidentally has these super powers, and he doesn't quite know how to deal with them. On a smaller scale, a comparison can be made to a supremely talented collegiate football player who's just made it to the pros. He has otherworldly talents. He has money, fame, fortune. And can he handle it? About as well as Peter can.
Anyway, the big villain here is the aforementioned Doc Ock (Alfred Molina), yet another in a long line of Good Scientists Gone Wrong. You may recall that the Green Goblin from the first S-M movie was also of this line. This Doc has found a way to manipulate metallic tentacles with his mind. (It helps that the tentacles are physically attached to him.) Something goes wrong, he goes mad, and next thing you know it, he's gonna take over the world. Give these boys a Happy Meal, and they'd still want two prizes.
Along with the inevitable Spidey-Doc Ock battles, Peter Parker's best friend Harry (James Franco) is still quite resentful as Spidey's killing of his father in the first movie. He doesn't know Peter is Spider-Man, but he knows only Peter is able to take photographs of him. So the second thematic struggle is within Harry - does he resent his friend for knowing the murderer (in his eyes) of his father? All of the cast returns from the first movie (well, all that survived the first movie), and they all do a collective good job. Maguire is a perfect choice for the lead; he's unassuming, can't really emote, is stoic, and even a little bit wimpy. All are qualities that plague the characters of both Spider-Man and Peter Parker.
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