A black comedy about a reformed womanizer who struggles to keep his family together.
The star of Straight Outta Compton and Just Mercy draws on his film school past to crown the greatest in art and entertainment.
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Title: Manhood (2003)
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2 wins.
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Cast
| Cast overview, first billed only: | |||
| Nestor Carbonell | ... | Jack | |
| John Ritter | ... | Eli | |
| Janeane Garofalo | ... | Jill | |
| Bonnie Bedelia | ... | Alice | |
| Nick Roth | ... | Charlie | |
 |
Andrew J. Ferchland | ... | Sam |
| Lauren Tom | ... | Bambi | |
| Barbara Williams | ... | Faith | |
| Barry Newman | ... | Simon | |
| Carole Davis | ... | Rita X (as Carole Raphaelle Davis) | |
|
|
Jack Grapes | ... | Rabbi Gelden |
| Skyler Shaye | ... | Lily | |
| Sybil Darrow | ... | Lucky (as Sybil Temchen) | |
| Meredith Monroe | ... | Clare | |
|
|
Aaron Lipstadt | ... | Gordon |
Edit
Plot Summary
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Storyline
A black comedy about a reformed womanizer who struggles to keep his family together.
Plot Keywords:
f rated | sequel | second part | dominatrix | character name in title |Taglines:
A Guide for Serial WomanizersMotion Picture Rating (MPAA)
Rated R for sexual content, language, some drug use and violent images | See all certifications »Parents Guide:
Add content advisory for parents »
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See full technical specs »
Details
Country:
USALanguage:
EnglishRelease Date:
23 January 2003 (USA) See more »Also Known As:
Miehen mitta See more »Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
(Ontario)Sound Mix:
MonoColor:
Color
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Written and Performed by Bruce Springsteen
Published by Bruce Springsteen, ASCAP
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
See more »
Did You Know?
Trivia
Nick Roth and Bonnie Bedelia later started together in Berkeley (2005) See more »Soundtracks
All Or Nothing At AllWritten and Performed by Bruce Springsteen
Published by Bruce Springsteen, ASCAP
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
See more »
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This thing is all over the place. Bobby Roth wrote and directed and clearly had too much on his plate.
The late John Ritter, in one of his last movies, showed a maturity of talent, with swerves and layers to his performance. Perhaps most disturbing to watch, particularly in the daylight scenes, was the light purple hue that had worked its way into his complexion. This, more so than the weight gain of middle age, was a visual sign of the pending cardiac trouble that eventually claimed his life. Still, he played the pathetic cad with out the over acting and indicating that hampered much of his earlier work. It showed a sign of growth, sadly. That, coupled with the flimsy material he was working with was even more commendable.
Janeanne Garofallo, when not tanking her career by spouting off about things political, seems hell bent on uglying herself up when she is an attractive, charismatic woman, albeit a very diminutive one. Still, she does her best to appear as bitchy, and dispassionate as possible. When a character is completely unlikeable, audiences tend not to care about her at all-like in this work. I'm thinking she took the job for a new in-ground pool.
Finally, there's the talented, handsome, Nestor Carbonell, who was the lead and constrained with the wealth of expository dialogue that crammed the scenes between character affectations. Nestor, who should get better parts, was wasted here. The guy is a stud. I wonder if the geniuses who cast films see him as "too ethnic." That his character managed to put the brakes on his sex addiction and became the good guy was completely unbelievable.
Why do I waste my time? Please learn from my mistake, and give this one a pass.